Gerard Way

The Chineke! Orchestra return to disc on Signum in a new live orchestral recording from the Royal Festival Hall, London.

Dr. Prof. Leonard King - Extending The Language (2005) {Uuquipleu Records 21485} (featuring James Carter & Gerard Gibbs}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 148 Mb
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© 2005 Uuquipleu Records / Strata Nova Prod. Inc. | 21485
Jazz / Groove / Jazz Blues / Jazz Funk / Drums / Organ / Saxophone

An eclectic mix of American, African, and Caribbean music with strong rhythmic aspects. This CD has the ability to make the listener jump, dance, and listen, depending on what mood the individual is in while cruising the grooves. Leonard King was born in Detroit, Michigan where he has been able to absorb the multi-cultural musics of the entire metro area. He has performed with many artists such as Donald Byrd, Johnnie Taylor, Al Green, Herb Ellis, Barbara Dane, Eddie Kendricks, Pigmeat Markham, James Carter, and many others.

Duran Duran Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles. Directed by David Lynch…

Priming the pump for their new 2008 studio album, the Cure invite five of their modern-day disciples to remix the first round of singles from their forthcoming 4:13 Dream - all released during the summer of 2008 - for theHypnagogic States EP. All the acts here - Pete Wentz and Patrick Stump of Fall Out Boy, Jared Leto of 30 Seconds to Mars, Gerard Way of My Chemical Romance, Jade Puget of AFI and Cure opener 65 Days of Static - do demonstrate some clear debt to the Cure, which manifests not in a doomy, sultry fashion but oddly, in mixes that are somewhat reminiscent of early-'90s Cure B-sides - an appropriate enough sound given the ages of the musicians, but not quite the classic Cure that provides their inspiration (although to be honest, apart from parts of MCR and AFI, none of these bands really sounds that much like the Cure, they just like Robert Smith's makeup)…

Jomelli, regarded by many of his contemporaries as the greatest opera composer of the century, sets the lamentations in a dramatic and religio-operatic style as a duet between two high voices. Gérard Lesne receives higher billing than Véronique Gens on the cover of the CD, but they both sing exquisitely well – too well, perhaps, for the music to be regarded in the light of a meditation on the Passion, but that’s the way that Jommelli writes it.