Gershwin Orchestral Work

The Nash Ensemble - American Chamber Music: Herrmann, Gershwin, Waxman, Copland (2015)

The Nash Ensemble - American Chamber Music: Herrmann, Gershwin, Waxman, Copland (2015)
EAC | FLAC | Image (Cue&Log) ~ 292 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Genre: Classical | Label: Hyperion | # CDA68094 | Time: 01:15:36

This programme features concert music by composers who also wrote film scores for Hollywood. While this was just one string to the considerable bows of Gershwin and Copland, Bernard Herrmann and Franz Waxman are best known for their music for Hitchcock films (Vertigo, North by Northwest, Marnie and Psycho for Herrmann; and Rebecca and The Paradine Case for Waxman). Centre stage is Gershwin’s Song-book, arranged by the composer for solo piano in order to present the songs ‘as George Gershwin plays them himself’.
Jazz Nocturne - American Concertos of the Jazz Age: Johnson, Reser, Gershwin, Suesse (2011)

Jazz Nocturne - American Concertos of the Jazz Age: Johnson, Reser, Gershwin, Suesse (2011)
Hot Springs Music Festival Symphony Orchestra, conducted by Richard Rosenberg

EAC | FLAC | Image (Cue&Log) ~ 272 Mb | Mp3 (CBR320) ~ 163 Mb | Artwork included
Orchestral Jazz, Classical | Label: Naxos | # 8.559647 | Time: 01:10:41

This unique album is a wonderful snapshot of American jazz in an orchestral setting. Most classical music aficionados are familiar with George Gershwin and his works such as Rhapsody in Blue, but there are also a number of less-famous composers who wrote around the same time who are no less brilliant. These composers also interacted with and influenced each other. For example, James Price Johnson also wrote a rhapsody, entitled Yamekraw, Negro Rhapsody, which is a sophisticated work full of tempo changes, varied rhythms, and various moods and character. (William Grant Still orchestrated this piece.) Yamekraw swings and is syncopated, giving it a very dancelike feel, and the Hot Springs Music Festival Symphony Orchestra does an excellent job bringing the music alive without ever making it rigid. Not only do it play beautifully on this first piece, but also through the rest of the album, where it truly captures all the moods jazz pieces require while never losing strong classical technique. It is much to conductor Richard Rosenberg's credit that all of the pieces have energy and good musical taste.
Gershwin: Porgy & Bess [Original 1935 Production Version] (2006)

Gershwin: Porgy & Bess [Original 1935 Production Version] (2006)
EAC Rip | APE (Image+.cue, log) | 02:24:38 min | Scans => 34 mb
Genre: Classical, Opera / Label: Decca

This two-disc Porgy and Bess records not an entirely new version of the Gershwin opera, but a claimed improvement on the "complete" version that surfaced in the 1970s and changed the opera from a series of set pieces to a living work of drama.
Michael Tilson Thomas - Orff, Beethoven, Gershwin (1974-76) [Reissue 2019] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Michael Tilson Thomas, The Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band –
- Orff: Carmina Burana / Beethoven: Late Choral Music / Gershwin: Rhapsody In Blue (1974-1976) [Reissue 2019]

SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 145:18 minutes | Front/Rear Cover | 6,21 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Cover | 3,29 GB
or FLAC 2.0 Stereo(converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Cover | 2,99 GB
3LP on 2SACD | Features Stereo and Quardophonic Surround Sound | Label: Dutton Epoch/Vocalion # 2CDLX 7369

Eclectic, diverse or just plain odd - three descriptions to describe the coupling of Carl Orff, Ludwig van Beethoven and George Gershwin on a single release. Of course, in reality what we have are three different LP releases of modest length from the early/mid 70's all conducted by the young Michael Tilson-Thomas with his presence on the podium the single unifying thread.
Michael Tilson Thomas - Orff, Beethoven, Gershwin (1974-76) [Reissue 2019] MCH PS3 ISO + DSD64 + Hi-Res FLAC

Michael Tilson Thomas, The Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band –
- Orff: Carmina Burana / Beethoven: Late Choral Music / Gershwin: Rhapsody In Blue (1974-1976) [Reissue 2019]

SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 145:18 minutes | Front/Rear Cover | 6,21 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Cover | 3,29 GB
or FLAC 2.0 Stereo(converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Cover | 2,99 GB
3LP on 2SACD | Features Stereo and Quardophonic Surround Sound | Label: Dutton Epoch/Vocalion # 2CDLX 7369

Eclectic, diverse or just plain odd - three descriptions to describe the coupling of Carl Orff, Ludwig van Beethoven and George Gershwin on a single release. Of course, in reality what we have are three different LP releases of modest length from the early/mid 70's all conducted by the young Michael Tilson-Thomas with his presence on the podium the single unifying thread.
George Gershwin - The Authentic George Gershwin - Jack Gibbons (2004) {4CD Set Sanctuary Classics CD RSB 401}

George Gershwin - The Authentic George Gershwin - Jack Gibbons (2004) {4CD Set Sanctuary Classics CD RSB 401}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.08 Gb | MP3 @320 -> 726 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 2004 Sanctuary Classics | CD RSB 401
Jazz / Classical / Solo Piano

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies. I'm fascinating.

Ravel : Bolero MFSL  Music

Posted by avoros at July 4, 2006
Ravel : Bolero MFSL


MFSL Aluminium


By 1983 MoFi had grown into a company with over 25 employees and grossing over $8 million annually. Then they nearly lost it all. The new darling on the scene was the compact disc. Because MoFi had been putting something on the order of 20% of their earnings back into research, they were prepared for the next wave. In the mid ‘80s, they launched their assault on the CD market with their half-speed
wares.

Their first efforts were released on aluminum discs, very much like all other discs at the time. And, in fact, some of these have become quite rare. Recently copies of them regularily go for >$75 on e-Bay. Partly, in an effort to justify the higher price they needed to charge, MoFi began to release their works on gold-plated compact discs called UltraDiscs. Although gold in and of itself isn’t significantly better than aluminum for the reproduction of ones and zeros, it oxidizes roughly ten times more slowly than aluminum. It is also supposed to coat more evenly than aluminum. This last attribute is said to cut down on the pin-holing so common to aluminum CDs, which allows for less error-correction during playback. This means more of the actual recording and less processor interpolation gets to your ears. So there was some inherent advantage to the gold treatment.
Iiro Rantala, The Deutsche Kammerphilharmonie Bremen & Jonathan Bloxham - Playing Gershwin (2020) [24/96]

Iiro Rantala, The Deutsche Kammerphilharmonie Bremen & Jonathan Bloxham - Playing Gershwin (2020)
FLAC (tracks) 24-bit/96 kHz | Time - 64:40 minutes | 1.16 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The time of rigid demarcations between musical genres is over. For those who see music, indeed who love music as a universal language offering unlimited scope for human expression, this can only be a positive development. When one considers the jazz pianists of our time, they have just about all received their grounding in classical music, and yet these are musicians who don’t just traverse many different jazz styles, they can also roam at will into other genres. And looking among them, it would be hard to find a pianist as quintessentially complete as Iiro Rantala from Finland.

The Aaron Copland Collection: Orchestral & Ballet Works (1936-1948)  Music

Posted by scoredaddy at Nov. 22, 2008
The Aaron Copland Collection: Orchestral & Ballet Works (1936-1948)

The Aaron Copland Collection: Orchestral & Ballet Works (1936-1948)
FLAC + CUE | Complete Artwork Scans: 1.00 GB | 3 CDs
1990 | CBS | Classical

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written–like Rhapsody in Blue–for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list–in case anyone cares–are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

Seiji Ozawa Conducts A Gershwin Night (2015)  Music

Posted by peotuvave at Oct. 15, 2015
Seiji Ozawa Conducts A Gershwin Night (2015)

Seiji Ozawa Conducts A Gershwin Night (2015)
Classical | Bluray-rip 720p | Run time: 109 mins | 5.79 GB
AVC, MKV 1280x720 (16:9) 29.97fps, 5880kbps | DTS, 48000Hz, 6ch, 1510kbps

Seiji Ozawa is recognized as one of the supreme Gershwin conductors. Multi award winning blind pianist Marcus Roberts is known as one of the foremostpianists of contemporary jazz. Roland Guerin is not only an instructor for Applied Jazz Bass at the University of NewOrleans, he also toured extensively with Jazz greats such as Gerry Mulligan, George Benson and Jimmy Scott, and he made recordings with Ellis Marsalis and Allen Toussaint among others. Drummer Jason Marsalis is the son of pianist Ellis Marsalis and the youngest brother of Wynton, Branford and Delfeayo. Together, the four brothers and their father Ellis comprise New Orleans' venerable first family of jazz.