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After the song-writing partnership of Holland-Dozier-Holland (Edward-Lamont-Brian) left Motown in the late Sixties, they set up the Invictus and Hot Wax labels in the States featuring hot new soul acts like Chairman Of The Board, Freda Payne, Parliament, The Honey Cone, Ruth Copeland, Laura Lee etc.

Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit an album that changed ambient music forever.
The facts were thin on the ground. Richard D. James was from Cornwall, yes—a geographical outsider in the context of early-1990s UK rave, a kind of coastal cowpoke. He’d been at college for an engineering degree, one he never finished, and was known to pick at the innards of his analog synths. He collected aliases like another young man might sneakers, trotting each one out when the occasion called for it, never letting any of them get too worn: Polygon Window, Caustic Window, Power-Pill, the Dice Man, GAK, Blue Calx, Q-Chastic, AFX, plus his clear favorite, Aphex Twin.

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This compilation covers the hitmaking years of Peter Brown, a musician who had some notable dance music hits in the late '70s and early '80s on the Miami-based TK Records label. This label is best known as the home of funky disco acts like K.C. & the Sunshine Band and Jimmy "Bo" Horne, but Brown's work took a different tack. The songs on Get Funky With Me: The Best of the TK Years pursue slick, carefully crafted sound that has more to do with studio-driven dance acts like Chic. Like Prince, Brown recorded the majority of his instrumentation on his own in a home studio and added frills like orchestration and backup vocals later. The result is a sound that feels lush yet has a hand-crafted touch: "Dance With Me" is a bouncy disco outing that blends sprightly strings with an insistent bass-driven groove, and "Do You Wanna Get Funky With Me" is a reggae-tinged slice of dance funk that features Brown trading vocals with a brassy female chorus over a sumptuous production full jazzy horns and percolating synthesizers.

Get Up with It is an album collecting tracks recorded between 1970 and 1974 by Miles Davis. Released on November 22, 1974 as a double LP, it was Davis' last studio album before five years of retirement from music. J. D. Considine, writing in The Rolling Stone Album Guide (2004), described the album's music as "worldbeat fusion".

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Hard To Get Hits Volume 1-4 Australian compilation series compiled by rock historian Glenn A. Baker .

Remastered special edition soundtrack to the British gangster film, a cult favorite and arguably Roy Budd's finest work, it was originally released in 1971 and stars Michael Caine. Includes enhanced dialogue plus a bonus disc of remixes, 'Breakneck' (7' Edit, Rob's Old School Mix, Deadly Avenger Remix), 'Dope On A Rope' (12' Remix and Gentleman Thief Remix), 'De Few' ('2 Smoking Barrels Remix'-12' and Full Vision Remix-'Carter Express'), 'Lionrock' (Justin Robertson Remix, Andy H. & Full Vision Remix)-'Just Call Me Full' and 'Breakneck' ('Dirtbox Remix'-featuring Phil Dirtbox).