Apart from Grieg, no Scandinavian composer has written for the piano with more individuality and insight than Nielsen. Right from the very outset of his Five Piano Pieces, Op. 3, there is no doubt that his is an individual voice. The first emerges from a Schumannesque innocence to speak with personal accents, but all five are strong on humour and character. Nielsen’s greatest piano music is clustered into a period of four years (1916-20) with his final thoughts in the medium, the Three Pieces, Op. 59 of 1928 being composed in the immediate proximity of his Clarinet Concerto, music that already breathes the air of other planets. With the exception of Leif Ove Andsnes, no pianist of international standing has championed it on record, and apart from John Ogdon and John McCabe it has been the almost exclusive preserve of Nordic artists. True, the American scholar Mina Miller, who edited the autographs for the Hansen edition, recorded a complete survey in 1995 – also for Hyperion. But although Schnabel was the dedicatee of the Suite, Op. 45, he never broke a lance for it on the international scene. The Suite is not only Nielsen’s greatest keyboard work but arguably the mightiest ever written in Scandinavia. Martin Roscoe is right inside this music and guides us through its marvels with great subtlety and authority.
The protean and prolific Jeroen van Veen turns his attention to Erik Satie’s complete piano works for a 9-CD boxed set that ties in with the composer’s 150th birthday year. In a way, the collection is completer than complete. It includes all of Satie’s published and unpublished works for solo piano and piano duo, piano arrangements of theater scores as Le fils des étoiles, Darius Milhaud’s transcription of Cinéma.
Steffen Schleiermacher's monumental traversal of the complete piano music of John Cage will be essential for the collection of any fan of the composer's, unless he or she has already purchased the previously released ten volumes (a total of 18 discs) that are boxed together here and reissued in recognition of the composer's 100th anniversary in 2012. The 20-hour compilation is a testimony to Cage's hugely prolific output, and certainly constitutes one of the most significant collections of keyboard music of the 20th century. There could hardly be a more sympathetic and skillful interpreter of Cage's oeuvre than German pianist/composer Steffen Schleiermacher.
Howard Shelley is an acknowledged expert in the area of early Romantic piano music. With this disc, Shelley presents the first installment of a six-volume set of Mendelssohn's complete solo piano music - perhaps the least well-known part of the composer's repertoire. Mendelssohn composed or began nearly two hundred works for piano. However, only about seventy were published during his lifetime.
Norwegian folksong and -dance constitute the very DNA of the music of Carl Gustav Sparre Olsen (1903–84), on both a large and a small scale – from Draumkvedet, the 1936 oratorio that was his first major success, to the tiny miniatures that form most of his piano music, recorded here in its entirety for the first time. The apparent simplicity of much of this material belies the unassuming sophistication of its construction: many of these pieces, some barely a minute long, seem – to adapt William Blake – to contain the world in a grain of sand.