Ghost Medieval

Anthony Phillips' first post-Genesis solo album was an extension of the pseudo-medieval folk elements found on Trespass, the last of his Genesis albums. Much of this recording sounds like a lost Genesis album, understandable since Phil Collins does a lot of the singing, and Michael Rutherford is present on guitar, bass, and keyboards, and also shares composer credits with him on major parts of this album…

Ghost - In Stormy Nights (2007) {Drag City ‎DC313CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 382 Mb | MP3 @320 -> 149 Mb
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© 2007 Drag City ‎| DC313CD
Rock / Psychedelic Rock / Avant-Prog / Mystical Folk Rock / Experimental Rock

Japan's Ghost has always been a truly enigmatic kind of rock band. From the beginning, they've only recorded when they felt it was necessary, and only when they had something utterly new to say. In other words, there isn't a set Ghost sound. They turn themselves inside out on each recording, and no two sound the same. In Stormy Nights is no exception. It is as different from 2004's Hypnotic Underworld as it was from 1999's Snuffbox Immanence and its completely separate companion album released on the same day. Ghost can play everything from strange mystical folk music – notice the gorgeous Celtic-Asian flavor of "Motherly Bluster" that opens this set – to flipped out, spaced out psychedelic rock; give a listen to the cover of "Caledonia" by freak noise rockers Cromagnon, and get your head ripped open.