Japan's Ghost has always been a truly enigmatic kind of rock band. From the beginning, they've only recorded when they felt it was necessary, and only when they had something utterly new to say. In other words, there isn't a set Ghost sound. They turn themselves inside out on each recording, and no two sound the same. In Stormy Nights is no exception. It is as different from 2004's Hypnotic Underworld as it was from 1999's Snuffbox Immanence and its completely separate companion album released on the same day. Ghost can play everything from strange mystical folk music – notice the gorgeous Celtic-Asian flavor of "Motherly Bluster" that opens this set – to flipped out, spaced out psychedelic rock; give a listen to the cover of "Caledonia" by freak noise rockers Cromagnon, and get your head ripped open.
This 65 minute LP weaves themes of love, heartbreak, and betrayal into monolithic synth-driven space-rock, with inspiration as diverse as Nine Inch Nails, Sigur Ros, Vangelis and Pink Floyd. Writer and producer Christopher Bono utilizes his classical background to sculpt this expansive and engaging series of compositions, contrasting heavy walls of sound with ambient passages, contemporary classical and experimental electronic influences. Bono collaborated with Thomas Pridgen, whose drumming credits include the likes of The Mars Volta, Trash Talk, Suicidal Tendencies and Memorials.
Ghost Power are Jeremy Novak [Dymaxion] and Timothy Gane [Stereolab, Cavern of Anti-Matter and Turn On]. Duophonic Super 45s have previously released music by both artists - Novak via a Dymaxion compilation album and 7", Gane via various Stereolab, Cavern of Anti-Matter and Turn On releases. Having previously released a limited edition 7" in 2020, Ghost Power by Ghost Power brings the two musicians together for a full length album. The tracks were recorded in Berlin and New York, both remotely and with Novak and Gane working together in each city.
After expanding his intimate indie folk sound about as far as it could go on the last Iron & Wine album, Kiss Each Other Clean, Sam Beam (and trusty producer Brian Deck) take a step back on Ghost on Ghost and deliver something less suited for large arenas and more late-night jazz club-sized. The arrangements on that album were stuffed with instruments and seemed built to reach the back row; this time there are still plenty of horns, violins, and female backing vocals in the mix, but they are employed with a much lighter touch. Working with jazz drummer Brian Blade and a standup bass and mixing together elements of country, jazz, indie rock, and soft rock, the album has a much more intimate feel that suits Beam's quietly soulful vocals much more naturally.