Ghost Of The Machine formed in January 2021 when five former members of This Winter Machine - Graham Garbett (guitars), Mark Hagan (keyboards and piano), Stuart McAuley (bass, Moog pedals and Mellotron), Andy Milner (drums) and Scott Owens (guitars) - joined forces with Charlie Bramald (flautist for Nova Cascade, and former lead vocalist for all-eras prog tribute Harmony of Spheres). Taking the best elements from their previous endeavours and key influences such as Rush, Marillion and Genesis, while pushing forward in a heavier, adventurous and exciting direction, Ghost Of The Machine spent it's first year writing and recording Scissorgames.
Ghost announced Phantomime in early April. The 5-track EP features covers of songs by Television, The Stranglers, Iron Maiden, Tina Turner and Genesis' "Jesus He Knows Me," which was released when the set was first announced. Frontman Tobias Forge told NME last month that the EP could “cast a glimpse as to where I want to go with the band now… It just means that there are practical things in there that have inspired me to record this EP in a slightly different way than I have done previously.”
Spectral Music is Ghost Rhythms’ second release on Cuneiform Records after 2019’s Live at Yoshiwara, a live album consisting almost entirely of new material, and is their sixth full-length studio effort. After delegating much of the writing on Yoshiwara to their bandmates, the band’s leaders, drummer Xavier Gélard and pianist Camille Petit were back firmly at the helm.
Gélard had toyed with the idea of using the title Spectral Music for a while, but it only began to make sense conceptually during the writing process. However, the real theme of the album, remoteness and telepathy, came late in the process. The parallel with the current Covid crisis was of course not lost on Gélard and Petit…
For Fans Of…Temples, Allah-Las, Unknown Mortal Orchestra, Khruangbin, David Axelrod. Where will you hide when the world around you is closing in? On their latest LP, Ghost Funk Orchestra invites you to close your eyes and take a dive into your subconscious. Strings and horns float around from ear to ear while their three sirens explore themes of isolation, fear of the unknown, and the fabrication of self-image. It's a soulful psychedelic journey that picks up sonically where A Song For Paul left off. The drums are heavier, the arrangements are more intricate, and the vocal harmonies soar over a bed of odd time signature grooves. This is an album that's meant to be listened to in the dark. So won't you join them? You're not scared…..are you?