The Festival della Valle d'Itria mounted this lavish production of Gioachino Rossini's 1813 opera Aureliano in Palmira, in July 2011. Aureliano in Palmira movie It was staged and performed at the Palazzo Ducale, in Martina Franca, Italy. Aureliano in Palmira video The cast includes Bogdan Mihai as Aureliano, Franco Fagioli as Arsace, Maria Aleida as Zenobia and Asude Karayavuz as Publia, with the special participation of Louise Frank as Vecchia Zenobia. Aureliano in Palmira film The Orchestra Internazionale d'Italia and the Coro Slovacco di Bratislava provide additional musical accompaniment, with Pavol Prochazka serving as chorus master and Giacomo Sagripanti conducting.
Dedicated by Donizetti to Rubini (the part of the protagonist was written expressly for the famous tenor), Gianni di Parigi is a delightful opera, rich in brilliant music and often very inspired, alternating pages of high virtuoso belcanto singing to others of gentler melodic effusion, already truly romantic, and reaching to the highest levels of Donizetti's comic spirit in the long articulated scene of the two buffi, justifiably the best known piece of the opera.
To celebrate the 200th anniversary of the premiere of the Rossini rarity, the Rossini Opera Festival in Pesaro staged Ricciardo e Zoraide with an all-star cast. Juan Diego Flórez makes his debut as the crusader Ricciardo, giving a masterclass in bel canto (Bachtrack), his high notes are … still thrilling with their laser-like precision (Financial Times). The South African soprano Pretty Yende radiant and richly expressive (Financial Times) as Zoraide proves that she is a virtuosa in Rossini singing (Neue Musikzeitung). On the 150th anniversary of the composers death and 200 years after its premiere, Ricciardo e Zoraide rings out with an artistic quality that is second to none, thanks to the skills of an absolute Champions League ensemble (Online Merker).
Exploding all stereotypes about diva rivalry, Nadine Sierra and Pretty Yende, two of today’s leading operatic prima donnas and close friends, took great delight in sharing the limelight at a sold-out Paris Philharmonie on 6 March 2023. The two sopranos’ voices complement each other beautifully in a selection of arias and duets that – taken from the Italian, French and American repertoire – combine operatic tradition with 20th-century flair. The duo were accompanied by conductor Giacomo Sagripanti at the helm of Les Frivolités Parisiennes. The digital album version features 5 bonus tracks, in which the singers, accompanied by conductor Giacomo Sagripanti, brought a touch of cinematic magic to the stage, “Over the Rainbow” from The Wizard of Oz being one of the songs they include.
Exploding all stereotypes about diva rivalry, Nadine Sierra and Pretty Yende, two of today’s leading operatic prima donnas and close friends, took great delight in sharing the limelight at a sold-out Paris Philharmonie on 6 March 2023. The two sopranos’ voices complement each other beautifully in a selection of arias and duets that – taken from the Italian, French and American repertoire – combine operatic tradition with 20th-century flair. The duo were accompanied by conductor Giacomo Sagripanti at the helm of Les Frivolités Parisiennes. The digital album version features 5 bonus tracks, in which the singers, accompanied by conductor Giacomo Sagripanti, brought a touch of cinematic magic to the stage, “Over the Rainbow” from The Wizard of Oz being one of the songs they include.
Exploding all stereotypes about diva rivalry, Nadine Sierra and Pretty Yende, two of today’s leading operatic prima donnas and close friends, took great delight in sharing the limelight at a sold-out Paris Philharmonie on 6 March 2023. The two sopranos’ voices complement each other beautifully in a selection of arias and duets that – taken from the Italian, French and American repertoire – combine operatic tradition with 20th-century flair. The duo were accompanied by conductor Giacomo Sagripanti at the helm of Les Frivolités Parisiennes. The digital album version features 5 bonus tracks, in which the singers, accompanied by conductor Giacomo Sagripanti, brought a touch of cinematic magic to the stage, “Over the Rainbow” from The Wizard of Oz being one of the songs they include.
The celebrated ‘mad scene’ from Lucia, a role which she will also perform in New York next season, was the starting point of her new recording ‘Dreams’. ‘My instinct was to look at mad scenes,’ she says. ‘But then I widened my horizons, and thought about characters who have found an escape in their dream lives. All the characters I sing here have a dream: for some it is positive, for others it is a kind of nightmare. They dream of a better life, or a prince charming, or being able to live free from fear. I wanted to explore what dreams and madness mean for each character.’