Giles

In 2006, the Beatles coaxed producer George Martin out of retirement to remix and rearrange several of their iconic songs for Cirque du Soleil’s Las Vegas stage production Love. Martin, though, had a worry: At age 80 his hearing had turned difficult, and so he brought in a collaborator: his son Giles. The younger Martin had produced classical music, as well as recordings by Kula Shaker, Jeff Beck, Elvis Costello and Kate Bush. “He’s my ears,” George Martin said. What ears they turned out to be: Giles recombined parts of many of the Beatles’ songs into a mash-up of the band’s audio history, sometimes encapsulating much of it in a single song. “Get Back” opened with George Harrison’s memorable thrum from “A Hard Day’s Night” and Ringo Starr’s drum prologue from “The End,” caught sight of an overpassing jet from “Back in the U.S.S.R.,” pulled in part of the audience’s expectant murmur from “Sgt. Pepper’s Lonely Hearts Club Band” and borrowed a bit of the orchestral swell from “A Day in the Life,” landing on John Lennon’s “Glass Onion.”

By 1969 the Beatles' universe had become terminally messy: tensions between the four members were at an all-time high and the band was coming apart.

After a first CD that was received with critical acclaim (works for organ and harpsichord by the young J. S. Bach at TYX Art), Cécile Mansuy now presents one of the most fashionable dances of the 16th and 17th centuries, the Spagnoletta, alternating partitas and variations on the theme, with dances such as the passacaille or gaillarde and pieces of free inspiration.

King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album – largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") – is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the dominant instrument here: The Mellotron, taken over by Fripp after McDonald's departure – and played even better than before – still remains the band's signature.

Composer Yi-Ting Lu releases her debut album, An Unopened Seashell, a collection of five solo works that demonstrates her capacity for using musical materials to explore extra-musical phenomena. Featuring performances by bassoonist Ben Roidl-Ward, harpist Ben Melsky, pianist Lam Wong, saxophonist Thomas Giles, and guitarist Daniel Lippel, An Unopened Seashell is an exciting first release from a composer with a captivating balance between her management of development and structure, creative approach to instrumental writing, and a flair for expressive character.

Published in 1604, Dowland's Lachrimae was composed for an ensemble of five viols and a lute. The collection contains seven Pavans based on the air Flow My Tears (which explains the work's subtitle, Seaven Teares Figured in Seaven Passionate Pavans). These variations are alternated with Galiards and Almands for contrast. Jordi Savall's 1987 recording with Hesperion XX is still a cornerstone of any Dowland discography. This critically acclaimed album is now available for the first time in a vivid multichannel remastering.

It was 50 years ago when The Beatles' John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally acclaimed album. The album is newly mixed by Giles Martin and engineer Sam Okell in stereo, sourced directly from the four-track masters at Abbey Road Studios in London. Here's this newly re-mixed stereo track of the legendary album, along with fresh remixes of Strawberry Fields Forever/Penny Lane, all taken from the ADVD disc, released as part of the Super Deluxe Edition.

The landmark album The BEATLES, which came to be known universally as "The White Album," will see its 50th anniversary marked with HighResAudio Remastered-Edition.