Gims L'empire de Méroé

Superlatives are inadequate for the box record company Universal Music recently released. Two hundred hits on ten CDs, hundreds of hits and a lot of TV and news clips on five DVDs and then another book as reference book. It can not be on. The disadvantage of the Testament of the sixties is that for a hundred euros a hefty investment. The advantage that you are now ready to be a hit with your sixties Collection.

The fate of the music underground tunnel where radio monopolies were confined these threatening cultural revolutions. Nova catching mix of cult songs like White Rabbit, the acid trip of fifteen years before Jefferson Airplane and Devotion by John McLaughlin, one of the pioneers of jazz-rock fusion. 1981 and the lyrical and modernist breakthroughs of the new wave, Tuxedomoon. And his French electronics Heldon, with already big his New York Material, the group of Bill Laswell, a fellow traveler.

With the death of Fabrizio De André from cancer on January 11, 1999, Italy lost one of its most modern singer/songwriters. Inspired by the songwriting of Bob Dylan and Leonard Cohen, De Andre's songs encompassed Genoese folk songs, French protest/social commentary, beatnik "stream of consciousness" poetry, and the soundtracks of Italian film Westerns. In Italy and in the rest of world he is considered a poet because of the quality of his lyrics.