Gloria Estefan always has had an element of cabaret in her act but she's never tackled that staple of the supper club, the Great American Songbook, prior to 2013's The Standards. Produced by her husband and longtime collaborator Emilio Estefan, The Standards plays it by the book, choosing familiar songs and playing them in familiar ways. Namely, there are plenty of syrupy strings and tinkling pianos, sometimes punctuated by the murmuring saxophone.
It takes only 20 seconds of rhythmic rapture on “Samba” before a familiar melodic refrain emerges. Not long thereafter, Gloria Estefan’s distinct voice cuts through and reveals the self-referencing interpolation at play, a culture-blending revival of Miami Sound Machine’s 1985 smash “Conga”. Such boldness sets BRAZIL305, the 13th studio album of her decades-long career, off to a truly memorable start. With a titular portmanteau that perfectly encapsulates its contents, the project bridges São Paulo with Miami in riveting fashion. Fan favourites from her bilingual catalogue like “Get on Your Feet” and “Rhythm Is Gonna Get You” transform here with fresh instrumentation that maintains the pop majesty of the original versions. Estefan doesn’t limit the reinterpretations to her own work, providing inventive takes on tracks like Maria Rita’s “O Homem Falou” in both English and Spanish.
Mi Tierra (English: My Homeland) is the third studio album by Cuban-American recording artist Gloria Estefan, released on June 14, 1993 by Epic Records. Produced by husband Emilio Estefan, it is her first Spanish-language album and pays homage to her Cuban roots. The album features Cuban musical genres, including boleros, danzan and son music. Recorded at Crescent Moon Studios in Miami, Florida, Mi Tierra features notable Latin musicians such as Arturo Sandoval, Cachao López, Chamin Correa and Paquito D'Rivera.