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Many live albums from the golden age of jazz have titles that explicitly evoke the storied environs in which they were recorded—Village Vanguard, the Lighthouse, Ronnie Scott's, the Keystone—where the history of the venue imparts its own sort of co-sign on the music that was performed there. Those naming conventions also help the listener imagine themselves in the room at the same time, and, typically, in the name of consistency, these recordings occurred during a single stretch of shows. Getz Au Go Go breaks several of these rules. Its title comes from the storied Greenwich Village club, the Cafe Au Go Go (where Lenny Bruce was arrested and Grateful Dead played their first N.Y.C. show), and indeed, most of these tracks were recorded in that smoky, intimate setting on an evening in May 1964.

Many live albums from the golden age of jazz have titles that explicitly evoke the storied environs in which they were recorded—Village Vanguard, the Lighthouse, Ronnie Scott's, the Keystone—where the history of the venue imparts its own sort of co-sign on the music that was performed there. Those naming conventions also help the listener imagine themselves in the room at the same time, and, typically, in the name of consistency, these recordings occurred during a single stretch of shows. Getz Au Go Go breaks several of these rules. Its title comes from the storied Greenwich Village club, the Cafe Au Go Go (where Lenny Bruce was arrested and Grateful Dead played their first N.Y.C. show), and indeed, most of these tracks were recorded in that smoky, intimate setting on an evening in May 1964.

Go Go Berlin hat sich den Ruf als eine der fleißigsten Live-Bands mehr als wohlverdient: In den ersten Jahren seiner Karriere war das niederländische Rock-Ensemble fast ununterbrochen auf Tour, spielte Konzerte und Festivals in den USA, Asien und weiten Teilen Europas. Dieser intensive musikalische Streifzug zahlte sich aus – Fans weltweit fiebern heute den Auftritten von Go Go Berlin entgegen und auch die ersten beiden Alben haben international große Anerkennung gefunden.

The groundbreaking album, Beauty and the Beat was released in 1980… Every track is a treasure, a mini teen drama immediately appealing, relatable and memorable… From the very start they were instantly identifiable and maybe a little out of step… They indeed had a unique vision… It wouldn't be long till they would charm the pants off the entire world… They had everything… THE GO-GO'S seemed to be more talented than most of their peers and they were always a few steps ahead… In 1982 claimed the number one spot on the Billboard chart and stayed there for 6 weeks and of course it eventually went double platinum… THE GO-GO'S were the first all female band that wrote their own songs and played their own instruments to achieve that massive distinction… They soon proved to be a blueprint and an undeniable inspiration for like-minded girls and they spearheaded a deluge of hopeful girl bands… Pretty much any successful female artist of the past 40 years will swiftly site THE GO-GO'S as an important influence… Now Sympathy is releasing a tribute album to the girls who conquered a male dominated industry and essentially changed everything successfully rewriting the rule book… This tribute, If You Gotta GO-GO, GO-GO now features 24 bands… Included in the line-up are a few big-hitters and others you'll likely be hearing for the first time… I've been working on this since last year with the rather amazing Travis Ramin and tirelessly he has helped turn it into an impressive reality… This was in fact a daunting task and sadly some artists we would of liked to have recruited were unable to participate… Produced by Travis Ramin and with the Mighty GEZA X at the helm tying it all together we are confident it will be an amazing/heartfelt artifact honoring the brilliantly talented and ever-lovely GO-GO'S.

Go-Go Fightmaster is the self-titled debut album by the American indie rock band Go-Go Fightmaster, released in 2003. The album features a mix of punk, post-punk, and alternative rock, characterized by energetic rhythms, raw guitar-driven sound, and somewhat unconventional song structures. Go-Go Fightmaster emerged in the early 2000s indie rock scene, combining catchy melodies with sharp, often rebellious lyrics, which resonated with fans of lo-fi rock and underground music at the time.

Rock Star Bench Press (2009) is an album by Mike Dillon's Go-Go Jungle, a project led by vibraphonist and percussionist Mike Dillon. The album is a vibrant and eclectic blend of genres, combining elements of rock, jazz, funk, avant-garde, and experimental music. Mike Dillon is known for his versatile musical style and ability to cross genres, and this album showcases his creative approach to blending genres with high-energy performances. Mike Dillon's Go-Go Jungle features a band that pushes musical boundaries while still maintaining a groove-heavy, rhythmic foundation that is common in much of Dillon's work. The band’s sound is unpredictable, yet engaging, combining funky rhythms, improvised jazz elements, and rock influences in a way that appeals to fans of experimental rock and progressive jazz.

Let's A Go-Go!: Singapore And Southeast Asian Pop Scene 1964-69 is a compilation album exploring the world of A'Pop in Singapore that is a nice blend of garage rock and pop with twisted interpretations of Western pop and rock. This was released by Silver Tortoise Records.