“Whoosh!” sees Deep Purple for the third time joining forces with producer Bob Ezrin, who invited the band to Nashville to write and record new songs. Together they created the most versatile album in their collaboration. Deep Purple “stretched out in all directions” without any limitation, letting their creativity go. “Deep Purple is putting the Deep back into Purple” was the half-joking motto in the studio after the first songs made it clear that Ezrin and Purple were on their path to creating an album pushing the boundaries of time, while voicing their resentment about the current situation of the world and addressing all generations. In recent years, Deep Purple has progressively moved into new areas, piquing the interest of fans who were not born when the mighty Purple machine ruled the music world.
Whoosh!” sees Deep Purple for the third time joining forces with producer Bob Ezrin, who invited the band to Nashville to write and record new songs. Together they created the most versatile album in their collaboration.
The final lineup of Deep Purple in the 1970s – Jon Lord, Ian Paice, David Coverdale, Glenn Hughes, and Tommy Bolin – lasted less than a year, and released only one album, Come Taste the Band. This 65-minute collection of June 1975 rehearsals represents the only other studio document of this lineup, and thus the only other available studio stuff Bolin did with Deep Purple save Come Taste the Band. Combining early versions of album tracks, and no less than four ten-minute jams, it doesn't represent an apex for the Purple ones. It's period hard rock, sounding at times like sub-Led Zeppelin. Deep Deep Purple [sic] fans will appreciate its importance as a historical relic, though, particularly as the sound is good. There's also a cover of "Statesboro Blues" and, as a true oddity, a shambolic, one-minute circus-like cover of "I Got You Babe."