Ike Quebec released a string of albums for blue note (for whom he was an A&R man as well as friend to owner Alfred Lion) during the early sixties, all of which are fantastic showcases for the deepest tenor sound this side of Ben Webster. Keeping in mind the overall greatness of the entire series of these albums the question becomes, for the Quebec fan who is looking to pick through his discography or the uninitiated looking for a place to start, what setting would you prefer to hear him in? ~ Amazon
La Joueuse de go est une fable à double partition. Les courts chapitres tressent puis mêlent les destins croisés du jeune soldat et de la petite joueuse de go. Phrases courtes, verbes tendus vers l'essentiel, les mots aiguisent, tels des traits de calligraphie, leur portrait. Leur culture, l'histoire de leur pays, leur enfance, leurs amours, tout les sépare, à l'exception de leur détermination face au damier carré et aux pions de bois. Le go révèle leurs âmes au-delà de la ferveur impérialiste du jeune Japonais et de l'enthousiasme résistant de la joueuse mandchoue.
Gentleman Milt Jackson pays tribute to a cross-section of female singers whom he has admired for over a half a century on this unpretentious straight-ahead CD. Moreover, Milt is enough of a gentleman not to mention any names in the booklet, presumably so as to not leave anyone out. But you can tell by many of the titles just whom he is referring to; needless to say, "A Tisket A Tasket" cannot refer to anyone else but Ella, "What a Difference a Day Made" is Dinah Washington, etc. Pianist Michael LeDonne, bassist Bob Cranshaw and drummer Mickey Roker make up the first-class, lightly swinging rhythm section, and Etta Jones' smoky vocals decorate three of the tunes as ambassador for her gender. Best of all is when the MJQ stalwart loosens his tie and gets to jam a bit on his own funky "Blues for Queen 'D.'"
A rare bird has relieved.. 10 songs that move. Here's a part of the explanation of why it's just called "Rock Music"… It's (or should be) because it's rocking something. This CD makes it!
Claus Clement Pedersen, called Tømrerclaus (born November 21, 1945 in Aarhus) is a danish guitarist, cellist, bassist, clarinettist, singer, hurdy-gurdy player, producer, sound engineer and online store manager.
Go inclut un certain nombre de fonctionnalités telles que sa bibliothèque standard, la gestion des packages, le typage statique, la prise en charge des tests ainsi que son indépendance de la plate-forme. La bibliothèque standard de Go est basée sur l'utilisation de packages distribués. La gestion des packages fait référence à la manière dont Go gérera la prise en charge de la gestion des packages basée sur l'utilisateur et externe. Les packages peuvent être publiés à l'aide d'un petit ensemble de commandes. …
Fiolministeriet, or The Fiddle Ministry, is a string trio comprising Kirstine Sand (violin, vocals), Kirstine Elise Pedersen (cello, vocals), and Ditte Fromseier Mortensen (fiddle, viola, vocals). They draw much of their material from 18th century song collections and their home islands of Fuen and Bornholm. They have a powerful and rhythmic sound with the cello adding a solid underpinning not usually found in performances of traditional material. At times the arrangements sound quite classical in nature, like on “Gottlob Minuet”; at other times, they sound traditional with the two violins playing in harmony.