Godard

Jean-Luc Godard - Nouvelle Vague
EAC+LOG+CUE | FLAC: 321 MB | Full Artwork, 284 MB | 5% Recovery Info
Label/Cat#: ECM New Series # ECM 1600/01 | Country/Year: Germany 1997
Genre: Jazz, Non-Music, Soundtrack | Style: Dialogue, Spoken Word, Contemporary

Even more extreme is the notion that an entire soundtrack ­ dialogue, music, sound effects ­ might be considered a musical event apart from the film and the venturesome German ECM label has just made this experiment with Jean Luc Godard's 1990 Film Nouvelle Vague. The French art film uses a wide variety of classical and pop music, from Hindemith to Patti Smith and the effect is that of brilliant collage. On the soundtrack disc, sound-effects intrude and modulate into music and voices, like electronic music. Music becomes part of real life, and the music invades the dialogue…

Jean-Luc Godard - Nouvelle Vague
EAC+LOG+CUE | FLAC: 321 MB | Full Artwork: 284 MB | 5% Recovery Info
Label/Cat#: ECM New Series # ECM 1600/01 | Country/Year: Germany 1997
Genre: Jazz, Non-Music, Soundtrack | Style: Dialogue, Spoken Word, Contemporary

Even more extreme is the notion that an entire soundtrack ­ dialogue, music, sound effects ­ might be considered a musical event apart from the film and the venturesome German ECM label has just made this experiment with Jean Luc Godard's 1990 Film Nouvelle Vague. The French art film uses a wide variety of classical and pop music, from Hindemith to Patti Smith and the effect is that of brilliant collage. On the soundtrack disc, sound-effects intrude and modulate into music and voices, like electronic music. Music becomes part of real life, and the music invades the dialogue…

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinema to his later writings for Cahiers du Cinema, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. …

Jean-Luc Thomas & Michel Godard - La Belle Femme Qui Pleure (2012) {Hirustica}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 300 dpi (png) -> 45 Mb | 5% repair rar
© 2012 Hirustica | HIR-081968
Jazz / Modern Creative / World Music / Flute / Tuba

In 1989 Jean Luc discovers the ebony flute. Self taught flute-player, he was among the first generation of musicians to integrate this instrument into festoù-noz groups (Traditional Breton dance music).
Through practice in Brittany and numerous trips in Ireland, he has acquired a strong technical knowledge and has developed his own style. He likes to bring people together and engaged them in an artistic and musical experience. Nowadays, he moves through rich musical environment from traditional to classical via jazz with Breton, Malian, Polish, Brazilian and Arabic musicians and dancers.
Jean-Luc is also a renowned teacher and regularly runs music workshop in Brittany and abroad.

The Castel del Monte near Ruvo di Puglia, Southern Italy, was the last and most beautiful building of Frederick II. (1194-1250), Roman emperor and King of Sicily. It dominates the Apulian landscape like a white crystal, a fata morgana beyond time and space whose original purpose will probably remain a mystery forever. When German producer Achim Hebgen and French musician Michel Godard visited the castle together, they felt there should be music created in and for the building - music that is simultaneously in the past, the present and the future. Along the borders between Mediterranean folk song and modern composition, mediaeval tradition and jazz improvisation, the first "Castel Del Monte" project (ENJ-9362 2) became a great musical document of the European-Arabic heritage and its historical continuity. Critics liked it all over Europe: CD of the month (Stereoplay), Rating: **** ½ (Jazzthetik), "Un sentiment d'éternité; **** (Jazzman).