Progressive rock, for the most part, has not been known for having a strong sense of humor. It was shaped, after all, by musicians who believed that if third stream jazz musicians could exalt Beethoven, Mozart, Bach, and Chopin as their idols, there was no reason why rock musicians shouldn't do the same. But Not as Good as the Book is a prog rock release that definitely has a sense of humor; in fact, humor is a vital part of this CD set. A highly conceptual effort, Not as Good as the Book is written from the perspective of aging baby boomers who lived to see the 21st century and are not happy with the ways in which the world has changed. Historically, most rock music - from punk to rockabilly to grunge - has been very youth-focused. But on this release, the Tangent offer the perspective of middle-aged boomers whose youthful idealism has been replaced by cynicism and pessimism - boomers who, back in the '60s and '70s…
Established in 1967 at the height of their powers, The Beatles’ Apple operation saw the group embrace and encourage a wealth of contemporary musical talent, offering studio time and demo facilities alongside recording and publishing contracts. This unique opportunity attracted artists and songwriters from across the musical spectrum, and GOOD AS GOLD presents a snapshot of that talent, spanning the years 1967 to 1975. From the psychedelic tinged sounds of the mid-late 1960s onwards, the label matured and evolved alongside its audience and remains as compelling today as it did during those halcyon days.
…There are few records that feel like a never-ending party like A Nod – the slow moments are for slow dancing, and as soon as it's over, it's hard not to want to do it all over again. It's another classic – and when you consider that the band also had Long Player to their credit and had their hands all over Every Picture in 1971, it's hard to imagine another band or singer having a year more extraordinary as this.
The Faces' third album, A Nod Is as Good as a Wink…to a Blind Horse, finally gave the group their long-awaited hit single in "Stay with Me," helping send the album into the Billboard Top Ten, which is certainly a testament to both the song and the album, but it's hard to separate its success from that of Rod Stewart's sudden solo stardom. In the mere months that separated Long Player and A Nod, Rod had a phenomenal hit with "Maggie May" and Every Picture Tells a Story, his third solo album, something that would soon irreparably damage the band, but at the time it was mere good fortune, helping bring them some collateral success that they deserved.