Good House

When a television series runs for ten years, it's pretty clearly a success: having run from 1974-1984, Little House on the Prairie certainly merits a release on DVD, and Imavision has stepped up to the plate with season boxed sets. Little House on the Prairie: Season 3 continues the story of the Ingalls family: Charles and Caroline Ingalls and their children Mary, Laura, and Carrie, trying to raise a family and run a farm in the pioneer town of Walnut Grove. Little House on the Prairie is "family entertainment" in the best sense of the phrase: it's clearly intended to be a show that the adults and children in a family will watch and enjoy together.

Even though I was a kid while the show was on the air, for some reason I never watched it, so this DVD set was my first taste of the series (but not the premise, as I've read all the Little House books several times). I was half expecting the show to be too dated, but it's not: it has aged well and I have to say, it's fun to watch. The stories are fairly straightforward and pretty lightweight, but nonetheless they're very watchable and surprisingly satisfying. If I had to describe Little House on the Prairie in one word, it would be "sweet"… and most importantly, it manages to be sweet and genuinely heart-warming without slipping over the line into saccharine sentimentality. The characters are likable, and the stories do a nice job of using not just the Ingalls family but also quite a few recurring characters from the town in the various episodes, giving a sense of continuity overall even though the episodes are generally self-contained.

Wes Craven's first film was a crude but shocking horror opus that, like George A. Romero's Night of the Living Dead (1968), became a grind house hit largely because it went much further than terror films before it had been willing to go. Often compared to Ingmar Bergman's stark medieval rape drama The Virgin Spring (1960) (though one wonders whether this was influence or just coincidence), Last House on the Left follows a group of teenage girls heading into the city when they hook up with a gang of drug-addled ne'er-do-wells and are brutally murdered. The killers find their way to the home of one of their victim's parents, where both father and mother exact a horrible revenge. Like Tobe Hooper's The Texas Chainsaw Massacre two years later, Last House on the Left was an unrelievedly dark vision of contemporary horror that inspired many future films which copied its effects without achieving its visceral impact.