Grade 3 Gifted

Can a wealthy Republican politician find happiness with a chambermaid from the Bronx? One man is about to find out, though he hardly realizes it at first, in this romantic comedy from director Wayne Wang. Marisa Ventura (Jennifer Lopez) is a single mother who is raising her gifted but under-confident son Ty (Tyler Garcia Posey) on her own, with some help from her mother Veronica (Priscilla Lopez), after divorcing her husband. Marisa works as a housekeeper at the exclusive Beresford Hotel in Manhattan, where her boss Paula Burns (Frances Conroy) and chief butler Lionel Bloch (Bob Hoskins) urge Marisa and her best friend and fellow maid Stephanie (Marissa Matrone) to be as efficient and inconspicuous as possible. One day, while cleaning the room of noted socialite Caroline Lane (Natasha Richardson), Stephanie spies a beautiful designer gown and dares Marisa to try it on; against her better judgment, she does, and while all dolled up, she bumps into Christopher Marshall (Ralph Fiennes), a wealthy and well-bred bachelor who is running for the Senate.

After releasing a pair of fine albums for Arista, Willie Nile signed a deal with Geffen Records in 1982, but a dispute with the label put Nile's recording career in limbo, and he ended up not making an album until he struck a deal with Columbia and released Places I Have Never Been in 1991. While in many respects Nile's debut was the purest expression of his music, Places I Have Never Been is where he really nailed the elements of record making; unlike the lean, stark textures of Willie Nile or the overcooked bombast of Golden Down, Places I Have Never Been boasts a sound and an approach that really flatter Nile's songs, and it's certainly his most eclectic and musically adventurous major-label set. T-Bone Wolk and Stewart Lerman produced the album with Nile, and though there's a bit more polish on these tracks than they really need, the team also matched up Nile with some stellar studio players (as well as some Grade-A guest stars, among them Roger McGuinn and Richard Thompson), and they fill out Nile's arrangements with a lot more finesse than on his previous sets.