Throughout American Graffiti’s runtime, one may be inclined to say that Strawberry Girls have matured. In comparison to French Ghetto, the songs are tighter, the production crisper, and their trademark groove, if anything, is stronger than ever. However, that would imply that the band that made French Ghetto was somehow less mature than the band now, which is simply untrue. From their inception, Strawberry Girls have displayed an amazing level of finesse with their songwriting that normally takes years to develop, striking a perfect balance between their trademark aggressive groove-laden sound and a progressive edge that keeps each song fresh. So what then could you call the sound found American Graffiti if not a maturation" How about an expansion"…
Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. …