Grammophon Award of The Year

The nine-time GRAMMY Award-winning Emerson String Quartet has firmly established its authority in interpreting Beethoven’s string quartets since its first Beethoven Cycle performed in 1980 through its complete recording of his quartets on Deutsche Grammophon which won a 1998 GRAMMY Award.

The Serbian violinist Nemanja Radulovic has attempted to broaden the appeal of classical music through his charismatic image and innovative programming concepts. He has founded two ensembles of his own to aid in the realization of his ideas. Radulovic was born in Nis, Serbia, then part of Yugoslavia, on October 18, 1985. He took up the violin in 1992, and by 1996 he had won a Belgrade Youth Award. The following year he won the Talent 1997 prize from Serbia's Ministry of Education, and that was followed by a series of youth awards around Eastern Europe and in France. Radulovic enrolled at age 13 at the Hochscule für Musik Saar in Germany, returned to Serbia for further study at the University of the Arts in Belgrade, and moved to Paris in 2000 for more work at the Conservatoire Nationale in Paris. Radulovic has also taken master classes with Yehudi Menuhin, among others. He won the top prize at the Joseph Joachim International Competition in Germany in 2003, and he was named Discovery of the Year at France's Victoires awards in 2005.

The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.

Kožená's first recording was of Bach arias, recorded in the Czech Republic. Upon hearing the recording, Deutsche Grammophon (DG) signed her to a recording contract. Later recordings include Handel’s Roman Motets and Italian Cantatas and Messiah with Marc Minkowski for DG/Archiv, and her first solo recital disc (Dvořák, Janáček and Martinů with Graham Johnson – Gramophone Solo Vocal Award, 2001) for Deutsche Grammophon. Further recordings include recitals of arias of Mozart, Gluck and Mysliveček (with the Prague Philharmonia and Michel Swierczewski), of French arias with the Mahler Chamber Orchestra and Minkowski, Gluck’s Paride ed Elena under Paul McCreesh, a recital disc with Malcolm Martineau and an acclaimed disc of cantatas by members of the Bach family (“Lamento”) with Musica Antiqua Köln and Reinhard Goebel. She is the 2004 Gramophone Awards Artist of the Year.

We're celebrating with a unique deluxe package that has everything. It's a box unlike anything you have seen before. A stunning, blow-you-away, multi-coloured object made of high-quality, transparent, frosted injection-moulded acrylic. "The complete musician" Box comprises three separate elements: * A solid, heavyweight base in translucent red, including a white CD "bin" to hold the 40 albums * A detachable green "book-shelf" that holds the BOOK (see info below) – with an embossed metal DG cartouche on its side * Bright yellow cover that envelops the whole package, with etched ASM35 logo * In addition, a wrap-around info-sheet will be set under the shrink-wrap on the side of the box – it will fall away when the shrink-wrap is opened.

After Lucifer (2014) and Pour sortir au jour (2016), the French composer Guillaume Connesson returns to Deutsche Grammophon with "Lost Horizon", a new double-album directed by Stéphane Denève at the head of the Brussels Philharmonic. Already awarded the Victoire de la Musique Classique in the Composer category in 2015, Guillaume Connesson received last February his second award as Composer of the Year 2019 for "Les Horizons perdus", Concerto for Violin created in September 2018 that we find within this double album. These two CDs show two facets of the composer's art and offer two trips. One outside, with the fantastic and festive "Cities of Lovecraft" and the saxophone Concerto A Kind of Trane performed by Timothy McAllister

The 20th-Century Cello performed by Matt Haimovitz is a great way to wade into the waters of 20-century music. His technique and musicality are inspiring and the 3-CD collection of pieces is extensive and diverse. It is a great value and a great educational tool for aspiring cellists.

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.

Nora’s highly anticipated debut album HUSH was released on Deutsche Grammophon on 13 April 2018. The album won an EDISON award in october 2018!