When you're a drummer playing behind the vocal heights of Jon Anderson, the guitar virtuosity of Steve Howe, or the keyboard genius of Rick Wakeman, you may expect to be disregarded from time to time. Aside from die-hard fans of Yes or King Crimson, Bill Bruford's drumming is taken for granted more often than not, when in fact he's one of the finest rock drummers to emerge from the era. Master Strokes: 1978-1985 is a well-assembled compilation of some of Bruford's best drum work, spanning numerous styles and examples of percussive artistry. All 14 tracks explore the many sides of Bruford's repertoire, delving into jazz fusion, straightforward rock, and progressive rock, and laying out some entertaining examples of how much fire the drums can truly muster, not only in their bombastic state, but also as an accompaniment to other instruments and rhythms as well.
Having received all major recording industry prizes of the world many times, as well as the Siemens Special Prize, the Buxtehude Prize of the City of Lübeck and the Special Prize of North-Rhine Westphalia, Goebel has still remained the leading outsider in the area of “Early Music” – always looking for new acoustic worlds, shocking new ways of interpreting standard repertoire and uncomfortable programs far off the beaten track of “top-40 classic programming”. Reinhard Goebel began studying violin at the age of 12. He became interested exclusively in “Early Music” at a young age, but was forced to proceed through a classic- modern program of study by the German conservatory system.
BL!NDMAN’s approach to early music using modern instrumentation seeks to achieve a reformative transformation, rather than an exact imitation. For the past 20 years, BL!NDMAN has been constantly engaged in the search for a saxophone sound that throws new light on old music. Central to this is timbre, as is the way in which the tone can be consciously influenced by the whole body, even the voice box. This 7-CD set charts their extraordinary journey.
Works by Antonio Vivaldi by definition fall within the repertoire of an Ancient music ensemble such as Pandolfis Consort, which specializes in Renaissance and Baroque music. The fact that the orchestra, founded in 2004 by violist Elzbieta Sajka-Bachler, is now releasing a second album of motets and instrumental concertos by the Grand Master from Venice within just two years testifies on one hand to Vivaldi's rich oeuvre, but on the other hand to how much Vivaldi's compositional art is close to the hearts of the musicians.