Grant Green

Grant Green signed to Blue Note for a second time in 1969. Where his first stint with the label was nearly all hard bop, the recordings from his second stay were almost all funky soul-jazz. Predictably, these are sessions that jazz purists have dismissed throughout the years, even though - when judged strictly on the level of funky, groove-oriented dance music - the music is quite strong. During the '80s and '90s, dance and hip-hop fans rediscovered Green's records from the late '70s and sampled his playing and grooves on their own records. Blue Note assembled The Best of Grant Green, Vol. 2 to capitalize on the popularity of this acid-jazz movement. All of the material on this disc is drawn from albums - The Final Comedown, Live at the Lighthouse, Visions - that never received much attention in jazz circles. Nevertheless, fans of this sound will find The Best of Grant Green, Vol. 2 to be a delight – there are a lot of wonderfully funky, dense grooves on here, and many of the songs have been out of print since their original issue. Hard bop fans will not reconsider their negative opinion of this music based on this compilation, but acid-jazz, groove, and hip-hop fans will find this disc to be an excellent addition to their Grant Green collection.

As a trio, this edition of guitarist Grant Green's many ensembles has to rank with the best he had ever fronted. Recorded on April Fool's Day of 1961, the band and music are no joke, as bassist Ben Tucker and drummer Dave Bailey understand in the most innate sense how to support Green, lay back when needed, or strut their own stuff when called upon. Still emerging as an individualist, Green takes further steps ahead, without a pianist, saxophonist, or – most importantly – an organist. His willpower drives this music forward in a refined approach that definitely marks him as a distinctive, immediately recognizable player.

As a trio, this edition of guitarist Grant Green's many ensembles has to rank with the best he had ever fronted. Recorded on April Fool's Day of 1961, the band and music are no joke, as bassist Ben Tucker and drummer Dave Bailey understand in the most innate sense how to support Green, lay back when needed, or strut their own stuff when called upon. Still emerging as an individualist, Green takes further steps ahead, without a pianist, saxophonist, or - most importantly - an organist. His willpower drives this music forward in a refined approach that definitely marks him as a distinctive, immediately recognizable player. It is also a session done in a period when Green was reeling in popular demand, as this remarkably is one of six recordings he cut for Blue Note as a leader in 1961, not to mention other projects as a sideman…

Grant Green & Baby Face Willette - Trio/Quartet - Complete Recordings (2014) {2CD American Jazz Classics 99103 rec 1961-62}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 916 Mb | MP3 @320 -> 367 Mb
Full Artwork @ 600 dpi (jpg) -> 274 Mb | 5% repair rar | 24bit remaster
© 1961-62, 2014 Blue Note / American Jazz Classics | 99103
Jazz / Hard Bop / Soul Jazz / Guitar / Organ

This release presnts all of Grant Green and Baby Face Willette's collaborative albums as leaders. Recorded in 1961-62, they consist of the LP "Grant's First Stand" (Blue Note BST-84064), issued under the guitarist's name, and “Baby Face” Willette's albums "Face to Face" (Blue Note BST-84068) and "Stop and Listen" (Blue Note BST-84084). Other than their three LPs as leaders, Green and Willette only recorded together on Lou Donaldson's album Here ‘Tis, from which it has been added the title song, a long blues, as a bonus.

As a trio, this edition of guitarist Grant Green's many ensembles has to rank with the best he had ever fronted. Recorded on April Fool's Day of 1961, the band and music are no joke, as bassist Ben Tucker and drummer Dave Bailey understand in the most innate sense how to support Green, lay back when needed, or strut their own stuff when called upon. Still emerging as an individualist, Green takes further steps ahead, without a pianist, saxophonist, or - most importantly - an organist. His willpower drives this music forward in a refined approach that definitely marks him as a distinctive, immediately recognizable player…

Grant Green - Organ Trio and Quartet (1960, 1967) {Groove Hut Records GH 66701 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 477 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 600 dpi (jpg) -> 102 Mb | 5% repair rar
© 1960, 1967, 2007 Groove Hut Records | GH 66701
Jazz / Hard Bop / Soul Jazz / Guitar / Organ

This great Jazz two-fer features two of guitarist Grant Green's '60s work trio and quartet featuring incredible organ work from Sam Lazar and Big John Patton. This release contains the complete albums Space Flight (1960) and Iron City (1967). The question "When is a Grant Green album not a Grant Green album?" is answered by this release, with the reply, when "It's actually Grant Green as a sidesman on two album released by other artists".

Grant Green - Green Street (1961) {2002 Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 308 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb
© 2002 Capitol / Blue Note | 7243 5 40032 2 6 | 24-bit remaster
Jazz / Bop / Hard Bop

As a trio, this edition of guitarist Grant Green's many ensembles has to rank with the best he had ever fronted. Recorded on April Fool's Day of 1961, the band and music are no joke, as bassist Ben Tucker and drummer Dave Bailey understand in the most innate sense how to support Green, lay back when needed, or strut their own stuff when called upon. Still emerging as an individualist, Green takes further steps ahead, without a pianist, saxophonist, or – most importantly – an organist.