Road Trips Volume 4 Number 2 is a live album by the rock band the Grateful Dead. The 14th of the Road Trips series of archival releases, it was recorded on March 31 and April 1, 1988, at the Brendan Byrne Arena in East Rutherford, New Jersey. It was released as a three disc CD on February 1, 2011. Road Trips Volume 4 Number 2, subtitled April Fools' '88, includes the complete April 1 concert, along with the second set, encore, and two songs from the first set of the March 31 concert. It was only the second live Dead album that was recorded in 1988; the first was Grateful Dead Download Series Volume 5.The April 1 performance of Bob Dylan's "Ballad of a Thin Man" had been previously released on Postcards of the Hanging.
Road Trips Volume 4 Number 1 is a live album by the rock band the Grateful Dead. The 13th of the Road Trips series of archival releases, it contains two complete performances by the band, recorded on May 23 and 24, 1969. It was released as a three-disc CD on November 16, 2010. Road Trips Volume 4 Number 1 is subtitled Big Rock Pow-Wow '69. It was recorded at a rock festival called the Big Rock Pow-Wow, which took place on Friday, Saturday, and Sunday, May 23, 24, and 25, 1969, at the Hollywood Seminole Indian Reservation in West Hollywood, Florida. Other artists who performed at the festival included Johnny Winter, Sweetwater, Joe South, Aum, NRBQ, Rhinoceros, Muddy Waters, and the Youngbloods. At the end of the Saturday night concert, Timothy Leary spoke from the stage.
30 Trips Around the Sun is an 80-CD live album, packaged as a box set, by the rock band the Grateful Dead. Announced for the celebration of their 50th anniversary, it consists of 30 complete, previously unreleased concerts—73 hours of music—with one show per year from 1966 through 1995. The box set is individually numbered and limited to 6,500 copies. It was released on October 7, 2015.
As the second long-player by the Grateful Dead, Anthem of the Sun (1968) pushed the limits of both the music as well as the medium. General dissatisfaction with their self-titled debut necessitated the search for a methodology to seamlessly juxtapose the more inspired segments of their live performances with the necessary conventions of a single LP. Since issuing their first album, the Dead welcomed lyricist Robert Hunter into the fold – freeing the performing members to focus on the execution and taking the music to the next level. Another addition was second percussionist Mickey Hart, whose methodical timekeeping would become a staple in the Dead's ability to stop on the proverbial rhythmic dime.