Great Pianists

For most of his life Eric Craven has kept a very low profile, concentrating on his teaching career and quietly developing his ‘non-prescriptive’ composing method, a sort of aleatory style but which allows the performer varying degrees of freedom. His earlier cycle of short pieces, ‘SET’, was recorded after Craven was persuaded by leading pianists to make his work available. Highly praised, that technique is shown again to great effect in the ‘Pieces for Pianists’, producing music that is varied, interesting, but perfectly accessible for listener and performer. Volume 1 attracted very positive reviews: “joyous, playful and satisfying music.” – New Classics; and we are sure that this second set will find many new fans for this very individual composer.

A documentary on the great pianists of the twentieth century, introduced, written and narrated by David Dubal. Featuring the music of Bach, Beethoven, Chopin, Clementi, Debussy, Field, Grainger, Liszt, Mendelssohn, Padarewski, Rachmaninov, Schubert, Scriabin and Weber. Featuring musicians Claudio Arrau, Alexander Brailowsky, Van Cliburn, Alfred Cortot, Glenn Gould, Percy Grainger, Myra Hess, Josef Hoffmann, Vladimir Horowitz, Wanda Landowska, Ignacy Paderewski, Artur Rubinstein, and Rudolf Serkin. Bonus: Claudio Arrau Centenary reissued of Beethoven's Piano Concerto No. 4 with Riccardo Muti and the Philadelphia Orchestra.

Kenneth Hamilton's book engagingly and lucidly dissects the oft-invoked myth of a Great Tradition, or Golden Age of Pianism. It is written both for players and for members of their audiences by a pianist who believes that scholarship and readability can go hand-in-hand. Hamilton discusses in meticulous yet lively detail the performance-style of great pianists from Liszt to Paderewski, and delves into the far-from-inevitable development of the piano recital.

Jorge Bolet - the last gentleman of the piano: Cuban-American pianist Jorge Bolet (1914-1990), misleadingly labeled the "last Romantic" among 20th century pianists and marketed under this title when he achieved world fame at the end of his career, was first and foremost a gentleman of the piano. Few pianists interpreted the great piano music of the 19th and early 20thcenturies with such unerring stylistic assurance and technical mastery that was at the same time completely free of vanity and striving for effect.

Conductor Peter Phillips is one of the leading lights in the world of British choral music, best known as the director of the prolific and durable group The Tallis Scholars. He is also a noted scholar, radio and television presenter who has done much to popularize Renaissance music, a music label founder and executive, and an educator. Phillips was born on October 15, 1953, in Southampton, England. He studied at St. John's College, Oxford University, as an organ scholar. By the time he graduated in 1975, he had gained a grounding not only in choral and organ music but in music history, studying with two of the leading British musicologists of the day, Denis Arnold and David Wulstan. In 1973, Phillips assembled a group of singers from Oxford and Cambridge to perform Renaissance music and named them The Tallis Scholars in honor of English Renaissance composer Thomas Tallis. The term "Scholars" was not merely fanciful, for the singers were all choral scholars from the various colleges of the two universities. Phillips held teaching posts at Oxford, the Royal College of Music, and Trinity College of Music, but the activities of The Tallis Scholars expanded after they established themselves formally in 1978.