Great Violin

Ms. Mutter makes the violin sing in this fine collection of violin concertos recorded with the Berlin Philharmonic. Ms. Mutter was discovered by Herbert von Karajan at age 13, declared by him as "the greatest musical prodigy since the young Menuhin" and played with the Berlin Philharmonic as a teenager. The two Mozart concertos were recorded when she was only 15. The other concertos were recorded before she was twenty years old. My favorite is the Mendelssohn concerto. Ms. Mutter plays its haunting theme with elegance,flair and fire. Her passion and precision are evident through the difficult passages. Married to conductor Andre Previn, who wrote a violin concerto for her, Ms. Mutter never fails to intrigue her audience, making her vioin sing with colorful, soulful voices.

Admirers of Sir Yehudi Menuhin will be pleased to have this compilation of his early stereo recordings of the major violin concertos. I have always enjoyed his version of the Bach Double Concerto with Christian Ferras; it rightly dominated the catalogue throughout the 1960s, and the spirited baroque vitality of the performance, plus a beautifully judged central Largo, give great satisfaction. Moreover, it demonstrates what a good sound balance Peter Andry and Neville Boyling could achieve in London's Kingsway Hall in 1959.

The most famous violin concertos ever written are well represented in this 10-CD set of Menuhin's finest performances-but so are many less-familiar works that Menuhin resurrected. Beginning with The Four Seasons by Vivaldi; Violin Concerto in E by Bach, and many more pieces by both composers, the set moves on to Concerto for Violin and Orchestra in C Major Haydn; Violin Concertos. Nos. 4 & 5 Mozart; Violin Concerto in D Beethoven; Violin Concerto in A Minor Dvorak; Violin Concerto in D Brahms; Violin Concerto in B Minor Elgar, and more!

The essence of a concerto is the contrast and combination of a solo instrument with a larger instrumental ensemble. Having developed out of the Baroque concept of concerto grosso, the concerto genre was fully established in the eighteenth century, and many works dating from this period are still a key part of the repertoire today. The opportunity for virtuosic display from the soloist has resulted in the concerto becoming a vital musical force on the concert platform.

In this era of homogenized classical collections, it is great to see Testament rescue gems from the vaults of labels like EMI and reissue them on CD. This title presents the great violin virtuoso Johanna Martzy performing Concertos by Mendelssohn and Brahms. Both Concertos feature Paul Kletzki conducting the Philharmonia Orchestra, and both recordings are in mono, the Brahms from 1954 and the Mendelssohn the following year. These performances are first-rate, yet I am withholding a fifth star, despite the fact that I love Kletzki and am becoming a big fan of Martzy.

The Sibelius violin concerto is a wonderful piece. And because great violin concertos don't grow on trees the work has been recorded by all of the top violinists. Dong-Suk Kang may not be as famous as Joshua Bell, but he handles this work with great skill. Scandanavian music broods a little and Kang has just the right hint of melancholgy. His technique to my ears is excellent and Naxos engineers have created a clean sound. The Slovakian orchestra holds its end up nicely.

Fans of great violin playing naturally will want to hear this outstanding sampling of the art of the young Itzhak Perlman, most of which has never been released on CD. The violinist blasts through Paganini's Caprices Nos. 1, 16, and (of course) 24 with scrupulous technique and a total lack of inhibition. In the remaining works he's well partnered by pianist David Garvey, best known for his work with soprano Leontyne Price.

Itzhak Perlman was born in Israel in 1945 and moved to the USA in 1958, where he trained at the Juilliard School in New York. His success in winning the prestigious Leventritt Competition in 1964 launched his international career through which he has become known as one of the world's leading musicians.
Itzhak Perlman has appeared with every major orchestra and in recitals and festivals throughout the world. In November 1987 he joined the Israel Philharmonic for history-making concerts in Warsaw and Budapest, representing the first performances by this orchestra and soloist in Eastern block countries. He again made history as he joined the Israel Philharmonic for its first visit to the Soviet Union in April 1990 with concerts in Moscow and Leningrad. In recent years Perlman has continued to perform with leading orchestras in addition to touring major cities throughout the world with his accompanists Bruno Canino and Samuel Sanders. In 1996 Perlman's engagements included concerto and recital appearances throughout Europe, Asia and North America, including appearances with many of the world's foremost orchestras and composers.

Even though Anne-Sophie Mutter recorded most of the great violin concertos early in her career, working closely with Herbert von Karajan and the Berlin Philharmonic, she hadn't recorded the Violin Concerto in A minor of Antonín Dvorák. This 2013 recording with Manfred Honeck and the Berlin Philharmonic fills that gap in her legacy, and this is an exceptionally bright and passionate performance, well worth the wait.

Most listeners will never have heard the name Ivan Khandoshkin (1747-1804), but violinist Anastasia Khitruk has admirably undertaken to bring this little-known solo-violin repertoire to wider attention. Published in the early years of the 19th century, Khandoshkin’s Op. 3 sonatas show the influences we might expect, given the composer’s exposure to a court musical environment that included musicians from Italy, Germany, and France.