Exactly 20 years ago (in 1994), after several years of research, experimentation and concerts, we recorded our first CD devoted to La Lira d’Espéria, performed on my three early instruments – the Rebec, the Tenor Fiddle and the Rabab (Rabel morisco) – with the indispensable percussion of Pedro Estevan. The idea was to announce the music and instruments featured in the recording using the evocative ancient names of Lyra and Hesperia. It was an obvious choice, as the whole recording was devoted to the medieval repertory for bowed instruments and consisted of music from the various Christian, Jewish and Arabo-Andalusian cultures that existed in ancient Iberia and Italica.