The 18.104.22.168's are an all-female Japanese garage rock trio, whose music is reminiscent of American surf music, rockabilly and garage rock. While their biggest international exposure was a cameo in the Tarantino flick Kill Bill, 22.214.171.124's are much more than one-hit wonders, bearing the proud distinction of being the prime and longest-enduring Japanese garage rock girl band. Featuring a revolving cast of musicians (only one of them ever being a boy) and possessing small but loyal fanbases in countries from China to the United States. The group have so named themselves because they play music reminiscent of 1950s, '60s, '70s, and '80s rock. Currently this CD Collection includes 9 CDs.
Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.
Omar Alfredo Rodríguez-López is an American multi-instrumentalist, songwriter, producer, writer, actor and film director. He is known for being the guitarist and band-leader of The Mars Volta from 2001 until their breakup in 2012, and is currently the guitarist for the alternative rock groups At the Drive-In, Antemasque and Bosnian Rainbows. He was also the bassist for the dub band De Facto. He has embarked on a solo career, both in studio and in concert, frequently described as experimental, avant-garde and/or progressive. He has collaborated with numerous artists spanning from John Frusciante to El-P.
Who says you can't make a great record in one day – or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which included the lost verse. It's far from the best cut here, though. There are other covers, such as Margo Timmins' a cappella read of the traditional "Mining for Gold," a heroin-slow version of Hank Williams' classic "I'm So Lonesome I Could Cry," "Dreaming My Dreams With You" (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic "Walkin' After Midnight" that closes the disc. Those few who had heard the band's previous album, Whites Off Earth Now!!, were aware that, along with Low, the Cowboy Junkies were the only band at the time capable of playing slower than Neil Young and Crazy Horse – and without the ear-threatening volume.
In many ways, the California Jam was the equivalent of the Woodstock festival to a burgeoning generation of hard rock and heavy metal fans. Woodstock had changed the face of music in 1969; the California Jam took place five years later down the line. During that time, flower-power had wilted and peace-and-love hippy ideals had been replaced by a culture of wildeyed excess…
Never-before-released recording of legendary guitarist Wes Montgomery playing with jazz pianist Eddie Higgins. An exclusive 1959 performance recorded live in Indianapolis. Following the 2012 release of Resonance's archival set Echoes of Indiana Avenue, author, photo journalist, and private collector Duncan Schiedt approached the label to see if they'd be interested in releasing a live tape of Wes Montgomery he owned. It was a 1959 set where the guitarist sat in with the Eddie Higgins Trio, then featuring drummer Walter Perkins (and also an unknown bassist).