Guitarist 2016

The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”. That entire concert is presented here too, on both CD and DVD – the latter also including a bonus documentary portrait of the artist.

Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.

Who says you can't make a great record in one day – or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which included the lost verse. It's far from the best cut here, though. There are other covers, such as Margo Timmins' a cappella read of the traditional "Mining for Gold," a heroin-slow version of Hank Williams' classic "I'm So Lonesome I Could Cry," "Dreaming My Dreams With You" (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic "Walkin' After Midnight" that closes the disc. Those few who had heard the band's previous album, Whites Off Earth Now!!, were aware that, along with Low, the Cowboy Junkies were the only band at the time capable of playing slower than Neil Young and Crazy Horse – and without the ear-threatening volume.

Together with their countrymen Kreator and Sodom, Germany's Destruction constituted the dominating triumvirate of Teutonic thrash metal during the 1980s. And even though they ultimately failed to match these peers in terms of commercial success and longevity, at least two of their albums still qualify among the crème de la crème of the decade's speed metal. Heavy metal underwent a worldwide revolution in the early '80s, when the lingering lessons from '70s giants like Black Sabbath and Judas Priest crashed head-on with the D.I.Y. ethos of punk rock and the sheer velocity of Motörhead to spawn the much ballyhooed New Wave of British Heavy Metal, which, in turn sparked a far more powerful and lasting bastard offspring: thrash metal. Of all the nations contaminated by this musical virus as it proliferated unchecked, Germany was second only to the U.S. in terms of widespread infection…

Following his 1970 departure from the Guess Who, guitarist Randy Bachman recorded a solo album (Axe) and planned a project with ex-Nice keyboardist Keith Emerson (later canceled due to illness) before forming Bachman-Turner Overdrive in 1972. Originally called "Brave Belt," the metal group was comprised of singer/guitarist Bachman, fellow Guess Who alum Chad Allan, bassist C.F. "Fred" Turner, and Randy's brother, drummer Robbie; after a pair of LPs (Brave Belt I and Brave Belt II), Allan was replaced by another Bachman brother, guitarist Tim, and in homage to the trucker's magazine Overdrive, the unit became BTO…

The Incredible Jazz Guitar of Wes Montgomery is an album by American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves. In 2017, the album was selected for the National Recording Registry by the Library of Congress as "culturally, historically, or artistically significant."

In celebration of the 40th anniversary of their widely celebrated album ‘Agents of Fortune’, Blue Öyster Cult performed the seminal album in its glorious entirety at an exclusive concert for the Audience Music Network on Monday April 18, 2016 at Red Studios in Hollywood, CA in front a lucky little audience of invited guests…

Think of Canadian rock bands and Rush probably spring to mind, as would Steppenwolf and Triumph. All fantastic bands. That's not to take anything away from April Wine, who in terms of output (if not success), must rank alongside the aforementioned. Classic hard rock that is really worth checking out….