Gzs 1125

Jim Croce - 24 karat Gold In A Bottle (1972-73) {DCC Compact Classics ‎GZS-1060 rel 1994}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 392 Mb | MP3 @320 -> 156 Mb
Full Artwork @ 300 dpi (png) -> 59 Mb | 5% repair rar
© 1972-73, 1994 Saja Music / DCC Compact Classics ‎| GZS-1060
Pop/Rock / Folk / Blues / Singer/Songwriter / Soft Rock / AM Pop / Contemporary Pop/Rock

These aren't exactly Jim Croce's greatest hits, although most of them–"Operator", "Time In a Bottle", "Bad, Bad, Leroy Brown," and "I'll Have to Say I Love You In a Song" among others–are here. More specifically, 24 CARAT includes the complete YOU DON'T MESS AROUND WITH JIM album, plus the best cuts from LIFE AND TIMES and I GOT A NAME. Better yet, everything's been beautifully remastered in typical DCC fashion, which means that the lower frequencies seem more burnished than ever. The overall clarity is remarkable, and particularly works to the advantage of Croce's signature sound of two finger-picked acoustic guitars playing harmony lines.

Stan Getz & Gerry Mulligan - Getz Meets Mulligan In Hi-Fi (1957) {Verve–DCC Jazz, GZS-1074 rel 1995}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 282 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar
© 1957, 1995 Verve / DCC Jazz | GZS-1074 | Mono | 24-Gold
Jazz / Cool / West Coast Jazz / Saxophone

This release presents the complete album Getz Meets Mulligan on HI-FI, including the two last tunes from the session, originally issued on another LP Getz and Mulliogan's only collaboration ever in a quintet format. The trade horns on the album's first three tracks, allowing the listener the rare opportunuty to hear Getz on baritone and Mulligan on tenor.

Lightnin' Hopkins is the star of this live recording, made at an August 1961 concert at the Ash Grove in Hollywood featuring Hopkins, Sonny Terry and Brownie McGhee (with Big Joe Williams sitting in on three numbers…

For all the resurgence in interest in Nat King Cole since 1991, when his daughter Natalie recorded a duet patching her new vocal with his from 40 years earlier and scored a gold-selling hit, Capitol Records lacked a single-disc hits collection that covered Cole's most successful singles for the label. This 22-track, 62-plus minute CD/cassette collection does the trick…

Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top…

In addition to being bandmates within Miles Davis' mid-'50s quintet, John Coltrane (tenor sax) and Red Garland (piano) head up a session featuring members from a concurrent version of the Red Garland Trio: Paul Chambers (bass) and Art Taylor (drums). This was the second date to feature the core of this band. A month earlier, several sides were cut that would end up on Coltrane's Lush Life album…

Relaxin' features the Miles Davis Quintet in a pair of legendary recording dates – from May and October of 1956 – which would generate enough music to produce four separate long-players: Cookin', Relaxin', Workin', and Steamin'. Each of these is considered not only to be among the pinnacle of Davis' work, but of the entire bop subgenre as well…

Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece…

One of Wes Montgomery's finest recordings, a Riverside date that showcases the influential guitarist in a quintet with pianist Hank Jones, bassist Ron Carter, drummer Lex Humphries, and the congas of Ray Barretto…

Kill 'Em All may have revitalized heavy metal's underground, but Ride the Lightning was even more stunning, exhibiting staggering musical growth and boldly charting new directions that would affect heavy metal for years to come. Incredibly ambitious for a one-year-later sophomore effort, Ride the Lightning finds Metallica aggressively expanding their compositional technique and range of expression…