Hänschen

Bert Kaempfert had almost too much talent, ability, and good luck rolled into one career to be fully appreciated, even by his own chosen audience, the lovers of fine orchestral pop music. He was one of the most successful conductors, arrangers, and recording artists in the latter field, but was also a major producer and played a key (if indirect) role in the roots of the British beat boom of the early '60s, which evolved into the British Invasion of America in 1964. Berthold Kaempfert was born in Barmbek, a working class section of Hamburg, Germany, in 1923. He was musically inclined as a boy, and found that interest indulged by an act of fate when he was six years old – Kaempfert was injured in a car accident and his mother used the money from the settlement to buy him a piano. He became proficient at the keyboard, and also on the clarinet and saxophone, among other instruments.

Collection of audio documents of paranormal phenomena including trance speech, direct voices, clairvoyance, xenoglossy, glossolia including ethnological material, paranormal music, "rappings" and other poltergeist manifestations as well as so-called "Electronic voice phenomena". This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid.