Hadda

Twenty-five tracks from her prime, recorded for Modern in the 1940s and '50s, including her hits "That's My Desire" and "Out of the Blue," as well as "Anytime, Anyplace, Anywhere." While Brooks was an important figure of the L.A. 1940s R&B scene, latter-day listeners may find this rather tame. Vocally she owed much more to pop-jazz stylings than gritty R&B influences. Her most durable and influential performances were her instrumental ones at the piano bench, especially on the pounding "Swingin' the Boogie," which leads off this collection.

While Ace's previous Hadda Brooks disc, Romance in the Dark, concentrated on her excellent mellow vocal sides, it left the instrumental boogie-woogie aspect of her musical talents unexplored. Swingin' the Boogie corrects that with this amazing release. Brooks recorded many of these tunes for the Modern label, initially released on 78s. Often after the "official session" concluded, there was still studio time available. In these instances, Brooks would pound out amazing boogie-woogie tracks for kicks. Swingin' the Boogie is the first disc to focus entirely on that output. Among the 18 tracks, six were previously unissued, and it includes the rare original flip side of "Swingin' the Boogie," "Just a Little Blusie."

Hadda Brooks - Jump Back Honey: The Complete OKeh Sessions (1952-1953) {Columbia-Legacy CK65081 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1952-53, 1997 OKeh / Columbia / Legacy / Sony Music | CK 65081
Jazz / Vocal Jazz / Piano Blues / Boogie / Piano

She was best known as a boogie-woogie piano player in the late 1940s, but this first-time CD reissue focuses on Hadda Brooks' brilliantly sophisticated, laidback vocal material in the 1950s. These songs don't carry the dirgelike sentiments of most blues, but more of a euphoric look at life and love. There are rocking dancers such as "Jump Back Honey" and "Brooks Boogie" among tasteful ballads such as "I Went To Your Wedding" and saucy midtempos like "Time Was When."

Houria Aichi is one of the most important singers from Argelia and in this record, unlike her former albums (own songs, from the Bereber people), she sings tunes from all over Argelia that were perfomed before by other singers, so it's a kind of tribute to them…