Half Dead Cbr

The Grateful Dead were literally at a crossroads when they took the stage at the Capitol Theatre in Port Chester, NY, on February 19, 1971. The previous night, the first of six shows at the venue would, for a number of reasons, be the last for drummer Mickey Hart for more than three years (a primary reason being that Lenny Hart, Mickey's father and the band's manager in 1969-1970, had absconded with a large chunk of their bank account). Suddenly, for the first time since late 1967 when Hart joined, the Grateful Dead were back to their original five-piece lineup: Jerry Garcia and Bob Weir (guitars), Phil Lesh (bass), Ron "Pigpen" McKernan (organ and harmonica), and Bill Kreutzmann (the other drummer). They had already shed a second keyboardist, Tom Constanten, in early 1970 and now this new downsizing allowed the Dead to return to the harder, more primal rocking sound of their acidic early days…

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

On Laughing Water, the fusion ensemble Jazz Is Dead one-ups the band that it sets out to honor. Laughing Water is a superior remake of the Grateful Dead's rather ordinary rock album Wake of the Flood.

Released in January 1974, ‘Here Come The Warm Jets’ was Brian Eno’s debut solo release following his departure from Roxy Music. The album draws on both his glam and prog roots but its experimental nature also made it quite unlike anything that’d ever come before. It was also to prove a huge influence on the best of the British punk and post-punk bands that followed it. This new gatefold 2LP vinyl edition of ‘Here Come The Warm Jets’ is presented over two 180GM discs which play at 45rpm for optimum sound quality. High resolution mastering from the best known sources and half-speed cutting were supervised by Miles Showell at Abbey Road Studios.

Road Trips Volume 4 Number 2 is a live album by the rock band the Grateful Dead. The 14th of the Road Trips series of archival releases, it was recorded on March 31 and April 1, 1988, at the Brendan Byrne Arena in East Rutherford, New Jersey. It was released as a three disc CD on February 1, 2011. Road Trips Volume 4 Number 2, subtitled April Fools' '88, includes the complete April 1 concert, along with the second set, encore, and two songs from the first set of the March 31 concert. It was only the second live Dead album that was recorded in 1988; the first was Grateful Dead Download Series Volume 5.The April 1 performance of Bob Dylan's "Ballad of a Thin Man" had been previously released on Postcards of the Hanging.

Road Trips Volume 4 Number 1 is a live album by the rock band the Grateful Dead. The 13th of the Road Trips series of archival releases, it contains two complete performances by the band, recorded on May 23 and 24, 1969. It was released as a three-disc CD on November 16, 2010. Road Trips Volume 4 Number 1 is subtitled Big Rock Pow-Wow '69. It was recorded at a rock festival called the Big Rock Pow-Wow, which took place on Friday, Saturday, and Sunday, May 23, 24, and 25, 1969, at the Hollywood Seminole Indian Reservation in West Hollywood, Florida. Other artists who performed at the festival included Johnny Winter, Sweetwater, Joe South, Aum, NRBQ, Rhinoceros, Muddy Waters, and the Youngbloods. At the end of the Saturday night concert, Timothy Leary spoke from the stage.

Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!