"…a full-on rock/acid house classic that easily showed the way for Primal Scream and hordes of others in following years." ~allmusic
Hallelujah are sometimes thought of as a German band but although they were based in Germany they were in fact British. The band centred around the duo of Paul Vincent Gunia (guitar and vocals) and Keith Forsay (drums). They returned to England to record and release their one and only album, "Hallelujah Babe" in 1971 with the help of session musicians Pete Wood (keyboards) and Rick Kemp (bass). Kemp may be known to folk fans for later becoming a member of Steeleye Span. To add to the confusion the album was to receive its original release only in Germany. Musically the band played heavy rock with a progressive edge with psychedelic and folk touches. Forsay later went on to become an in demand session drummer as well as producer in Germany.
Sweathog was a San Francisco-based quartet whose sound was fairly far removed from the music normally associated with that city. They were a powerful ensemble instrumentally, keyboardist/singer Lenny Lee (aka Lenny Lee Goldsmith), guitarist/singer Bob Jones, bassist/singer Dave Johnson, and drummer Frosty (aka Barry Smith, aka Bartholomew Smith) all top players in their field – Frosty had played with Lee Michaels on his third and fourth albums, while Jones had played on Harvey Mandel's Cristo Redentor and Righteous in the late '60s, and Goldsmith was an ex-member of the Five Americans. They were not bad as singers, either, with Goldsmith handling the leads. Their music was a mix of Southern-style soul, early-'70s funk, and blues, all wrapped around a virtuoso rock sound.
Leonard Cohen’s Hallelujah and Songs from His Albums is the first-ever official, career- spanning album from songwriter, musician, poet, novelist, and visual artist Leonard Cohen. Comprised of 17 classic tracks from Cohen’s expansive career, this anthology features an unreleased and unforgettable live performance of “Hallelujah” from the 2008 Glastonbury Festival. The album is inspired by the new documentary, Hallelujah: Leonard Cohen a Journey, a Song.
For his first live album in about 20 years, Sammy Hagar, according to his liner notes for Hallelujah, originally wanted to capture a full concert, but since that ran nearly three hours, he scrapped that and culled highlights from a St. Louis gig in 2001 and selected shows from his co-headlining tour with David Lee Roth in 2002, when Van Halen bassist Michael Anthony was part of the band…