Handel 2018

The award-winning Early Opera Company under the direction of founder Christian Curnyn celebrates the 300th anniversary of the premiere of one of Handel’s most sublime creations: Acis and Galatea. This unique interpretation is performed as Handel himself specified in the manuscript: supported by fourteen period instruments, the outstanding cast of singers takes on the solo parts as well as the magnificent choruses. This is Handel writing at his highest levels of intimacy and intensity; the music superbly supports the libretto's evocative portrayal of the story, simultaneously restrained, economical, and deeply moving.

It is not easy for a classical recording to truly inspire these days. This one does. Seeking common ground between the music of Friedrich Haendel and Philip Glass, Anthony Roth Costanzo alternatively sings works by the two composers in his beautiful raw soprano voice. He is accompanied by the early music Essemble Les Violons du Roy. Costanzo has created a musical unity that carriers the listeners with ease between the acoustic emotions of the Baroque and the Modern. A magnificent and moving recording.

Il pomo d’oro and Francesco Corti present Handel’s Apollo e Dafne and Armida abbandonata, together with two outstanding vocalists: soprano Kathryn Lewek (Armida & Dafne) and baritone John Chest (Apollo). Handel composed these two cantatas shortly after his Italian sojourn (1706-1709), and they demonstrate his acquaintance with and aptitude for Italian operatic music. Compared to opera, supporting roles are left out of these relatively compact cantatas, increasing the focus on the main characters, and heightening the expressive depth of their music. Il pomo d’oro performs these pieces with historically-informed ears, lively and colourful. The cantatas alternate with several delightful orchestral pieces by Handel, including several movements from his Almira Suite.

With Water & Fire, B’Rock Orchestra and Dmitry Sinkovsky present Handel’s Water Music alongside his Music for the Royal Fireworks. Both spectacular works were written for royal open-air ceremonies, and may well have been drowned out by the noise of pyrotechnics and the waves of the Thames. Still, after Handel’s lifetime, they quickly became audience favourites. B’Rock performs these captivating suites with an ensemble that approaches the ca. 50 musicians that Handel originally employed, conveying the pomp and splendour of the occasion while also highlighting the coloristic richness and refinement of the score.