what makes this recording so satisfying is the warmth, serenity and pliant lyricism of the performance. We have come to expect fleet tempos from the early-music movement. If anything, Mr. Harnoncourt's tempos, over all, are spacious. The sweet-voiced tenor Michael Schade is given such freedom to shape the phrases of the accompanied recitative "Comfort ye my people," that you listen to these words as if you had never heard them before…The soprano Christine Schäfer and the alto Anna Larsson also do radiant and affecting work. The chorus sings with impressive clarity and full-bodied yet unforced sound…Mr. Harnoncourt adheres to the manuscripts and editions of the work he deems the most reliable, especially with regard to the size of the string ensembles in the various movements.
A brand-new label from one of the world's finest early music ensembles makes an auspicious debut with this stunning new recording of Handel's oratorio Belshazzar. Les Arts Florissants, led by the great William Christie, have launched their new label with the goal of expanding the ensemble's connection to the listening public on a scale far beyond the concert hall. Belshazzar was first performed in 1745, and was frequently revised. Christie has chosen what he considers to be the most successful of the various versions of Belshazzar, resulting in the restoration of the piece in all its splendor. The libretto's subject, which focuses on the decline of a once glorious society and the ephemeral nature of Empire, is especially relevant today. This deluxe set also includes a bonus essay by Jean Echenoz entitled In Babylon, printed separately on special paper and included alongside the regular booklet. This specially commissioned work draws the reader deep into the ancient, majestic city, the seat of power of Belshazzar the King.
The particular strength of the Teldec reissue is its splendid cast, all of whom are technically outstanding, invest their every word with meaning and make recitatives fully alive. The titlerole is in fact one of the smallest, but Tear makes a burly, headstrong king, who handles the scene of the writing on the wall with fine dramatic instinct… Palmer is immensely moving… Esswood, as Daniel, impresses by the beauty of his tone and his command of long phrases; Lehane's brilliantly exuberant ornamentation, apparently improvisatory, marks her as a natural mistress of the style…and van der Bilt shows a rich voice throughout… The Stockholm Chamber Choir is firm-toned and tidy.
Händel Georg Friedrich was a German-English Baroque composer, who became internationally famous for his operas, oratorios, and concerti grossi. Handel was born in 1685, at Halle in Germany, in the same year when Johann Sebastian Bach and Domenico Scarlatti were born.
Nikolaus Harnoncourt has received numerous international awards for his work: Nikolaus Harnoncourt is an honorary member of the Gesellschaft der Musikfreunde and the Konzerthausgesellschaft in Vienna (since 1992), he holds honorary doctorates from the University of Edinburgh and the Mozarteum music college in Salzburg, and is an honorary member of the Graz and Vienna colleges of music. He was awarded the Ernst von Siemens Music Prize in 2002 and the Stockholm Polar Prize, and in 2005 he was honoured with the Kyoto Prize, the world's most important independent cultural award bestowed on outstanding international personalities from the arts and sciences. There are nearly 500 recordings in Nikolaus Harnoncourt's discography, which have been awarded all the major international Classical prizes, including a Grammy in 2002 for his recording of the St Matthew Passion