The pianist Jonathan Fournel, recent prizewinner of the prestigious 2021 Queen Elisabeth Competition (where he won not only the Queen Elisabeth Grand Prix, but also the Queen Mathilde Prize, the Musiq3 Audience Prize and the Canvas-Klara Award) has joined the Alpha label for several recordings, starting with a Brahms programme recorded in the superb acoustic of the music room at La Chaux-de-Fonds just before the Competition: ‘Over the years, for me Brahms has become a figure I admire so tremendously, a composer I can never tire of. It was fairly obvious to me that I had to make my first recording with these two works that I love so much (…) The rich quality of this music conjures up the profundity and grandeur of a symphony for the piano – and in such an astonishing way.’ The 28-year-old French pianist has been gathering many plaudits for his concerts – in particular for a sensational recital at La Roque d’Anthéron – and shows all the signs of developing a great career and a highly individual artistic path.
The oratorios from which Karina Gauvin and Marie-Nicole Lemieux perform excerpts on Streams of Pleasure were premiered between 1744 and 1750 and are among Handel’s last compositions. Soprano and contralto are joined for this pleasurable collection by internationally acclaimed early music ensemble Il Complesso Barocco under its musical director Alan Curtis.
The chamber orchestra Kammerorchester Basel was founded in Basel, Switzerland, in 1984. In the tradition of Paul Sacher's Basler Kammerorchester, its focus is on both early music and contemporary music. Concertmaster and frequently the conductor is Julia Schröder, as of 2013…