Hands Off 4.4.0

Hands Off! is an application to monitor and control the access of applications to your network and disks. Being able to monitor the normally unnoticeable activities enables you to make informed decisions regarding the transfer of your private information, hence avoiding confidential information leakage.

Protect your privacy. Keep an eye on Internet connections from all applications as to expose the hidden connections. Prevent them from sending data without your consent, hence avoiding information leakage.

Protect your privacy. Keep an eye on Internet connections from all applications as to expose the hidden connections. Prevent them from sending data without your consent, hence avoiding information leakage.

Protect your privacy. Keep an eye on Internet connections from all applications as to expose the hidden connections. Prevent them from sending data without your consent, hence avoiding information leakage.

Protect your privacy. Keep an eye on Internet connections from all applications as to expose the hidden connections. Prevent them from sending data without your consent, hence avoiding information leakage.

Protect your privacy. Keep an eye on Internet connections from all applications as to expose the hidden connections. Prevent them from sending data without your consent, hence avoiding information leakage.

Protect your privacy. Keep an eye on Internet connections from all applications as to expose the hidden connections. Prevent them from sending data without your consent, hence avoiding information leakage.

''The Tourist'' nods to Alec Ounsworth's musical heroes–a group that includes artists such as John Cale, Robert Wyatt, Tom Waits and Nick Cave. However, this album also shows a natural progression from previous records. ''Better Off'' and ''The Vanity Of Trying'' are lush, keyboard-augmented songs, while ''A Chance To Cure'' and ''Ambulance Chaser''are rhythmically askew, and the sighing ''Loose Ends'' is delicate, acoustic-based folk-rock.

Performing on early 19th-century pianos from the Frederick Historic Piano Collection, competition prizewinners Dmitry Rachmanov, a Juilliard graduate, and Cullan Bryant, a graduate of Manhattan School of Music, explore the interrelationships between the keyboard music of Beethoven and his principal teachers in this fascinating double-album of rarities for piano four-hands, culminating in a revelatory account of the Great Fugue in Beethoven’s own keyboard arrangement. The distinctive sonorities of these highly esteemed period instruments transport the listener back to the time when Beethoven, his teachers or his own pupils, may have performed this music themselves for the first time.