Harris Steve

This is different stuff…but I like it a lot. In fact, I like Steve Martland's music more than Phillip Glass. Phillip Glass was great for a start but once he became famous, all the songs sound the same. At least with Steve Martland the music is always different. The 1st section called "Danceworks" is simple Classical music with a rock beat, very jumpy & danceable, almost comical at times. The highlight is "Patrol", this is what many normally think as Classical music. This piece is the most haunting, loneliest piece of music I ever heard. At times the music seems like Arvo Part with its starkness, specially with the violins, yet Steve Martland holds onto his originality. Let me write it this way; if you want something different & feel very depress, either play "Danceworks" to left your spirits or if you want to remain depressed play "Patrol" to explore the uniqueness & mystery of your soul. - Amazon Reviewer

Emmylou Harris - Wrecking Ball (2014) [2CD+DVD] {Nonesuch Remastered Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 642 Mb | MP3 @320 -> 239 Mb
DVD5 -> 3.50 Gb | All Regions | NTSC 16:9 | Dolby AC3, 2 ch | ~ 50m | ISO Image
Full Artwork @ 600 dpi (jpg) -> 103 Mb | 5% repair rar
© 2014 Nonesuch Records / WEA | 7559-79822-4
Country / Folk / Alternative Country / Contemporary Country / Progressive Country

Emmylou Harris’s groundbreaking album Wrecking Ball reissued April 8 on Nonesuch Records. Produced by Daniel Lanois (U2, Bob Dylan, Neil Young, Willie Nelson), Wrecking Ball won the 1996 Grammy Award for Best Contemporary Folk Album and was highly praised by critics worldwide. The new three-disc set features the remastered original album, a bonus CD of previously unreleased material, and a DVD of the documentary Building the Wrecking Ball, which was directed by Bob Lanois and includes interviews and studio footage of Harris and Lanois as well as special guests Kate and Anna McGarrigle, Neil Young, Steve Earle, Brian Blade, and others.

As one of the most influential bass players in heavy metal, it should come as no surprise that Iron Maiden's Steve Harris' instantly recognizable galloping eighth notes ride high in the mix on his first ever solo outing. British Lion, which was originally the name of the band that Harris and some non-Maiden mates formed in the early '90s to tear through some sword and sorcery-less, dive bar-ready hard rock in the vein of UFO, Deep Purple, and the Scorpions, sounds exactly like its influences would suggest. Toss in a little Rainbow, Whitesnake, Judas Priest, and a tiny smattering of his meal-ticket band and you've got a serviceable slab of unpretentious yet utterly forgettable '80s retro-metal that adheres to every cliché in the book – which is forgivable, as it was brought into this world by one of that book's authors.