Haydn 76

For all that there are wonderful things in the string quartets preceding this set of six in Op. 76, for me there is a new depth of profundity and invention here, marking yet another step up in Haydn's ceaselessly evolving creativity. Haydn had already composed masterpieces, some dating back thirty years before this; the quality and popularity of many of those such as the "The Joke", "The Razor" and "The Lark" are indicated by the very fact that they acquired those nicknames and in this set of six we have three undoubted chefs d'oeuvre all similarly given labels to denote their originality and appeal.

The summit of Haydn’s quartet-writing, and of the classical string quartet medium itself. The ‘Emperor’, ‘Fifths’ and ‘Sunrise’ may be the best known of the six—as so often with those works by Haydn which have nicknames—but the others are every bit their equal.

The Takács Quartet began their exclusive association with Decca in 1988 and the first release was the CD of Haydn String Quartets, op.76 nos.1-3; this was followed by the other three quartets that make up the set: op.76 nos. 4-6. This set of quartets was Haydn's last and was published in 1797 (his projected set of 6 quartets op.77 produced just two works and his op.103 remained a fragment). The second of these discs, containing nos.4-6 of op.76 was particularly warmly received by Gramophone in January 1990.

he players take an appropriately spacious view of the Sunrise Quartet's serene opening bars, and provide a deeply felt account of the wonderful F sharp major slow movement from Op. 76/5. They offer, too, an intensely dramatic performance of the first movement of the D minor Fifths Quartet, and manage to find a striking change of colour for the minor sections of Op. 76/5's opening movement.

This warmly recorded, naturally balanced disc is delightful. The Minetti Quartet offers three late Haydn masterpieces, played with plenty of high spirits and, in the slow movements, a fresh songfulness (both Opp. 64's and 76's are marked "cantabile") that's most affecting. There's practically nothing to criticize here. Highlights include the really zippy final prestos of Opp. 64 and 76, and the intense Largo assai of the "Rider" quartet. In the finale of the latter, the group's articulation is a touch clipped in the main theme, and as a result the music doesn't quite speak as it should, but better too much energy than too little. The minuet (really a scherzo) of Op. 76 also is terrific, smooth as silk until Haydn's disruptive syncopation sets in. If you're looking for a very attractive single-disc collection of late Haydn quartets, I can recommend this without hesitation. Playing time is a bit short–under an hour–so there was still room for another full quartet, but if this doesn't concern you terribly, then go for it.

The Kodaly Quartet are fully worthy of the composer's inexhaustible invention and make a splendid bargain recommendation. Their playing brings joyful pleasure in Haydn's inspiration and there is not the slightest suspicion of over-rehearsal or of routine: every bar of the music springs to life spontaneously, and these musicians' insights bring an ideal combination of authority and warmth, emotional balance and structural awareness.

The Kodaly Quartet are fully worthy of the composer's inexhaustible invention and make a splendid bargain recommendation. Their playing brings joyful pleasure in Haydn's inspiration and there is not the slightest suspicion of over-rehearsal or of routine: every bar of the music springs to life spontaneously, and these musicians' insights bring an ideal combination of authority and warmth, emotional balance and structural awareness.

These quartets, Haydn's last great quartet collection, represent a peak of musical achievement that may have been equaled, but has never been surpassed. Haydn invented the string quartet way back in the 1750s, and by the time he came to write these works some 40 years later, his mastery was so natural and effortless that it's hardly noticeable. All you hear are the great tunes, dramatic surprises, fresh rhythms, and ever-new string textures. These immaculate performances by the Tokyo Quartet went a long way toward establishing it as one of the most exciting young string quartets to emerge in the past two decades, and they have been superbly recorded. A classic set, then, and essential listening.