MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
These were the six quartets that caused Haydn to tell Mozart's father that his son was the finest composer in the world–and Haydn wasn't just saying that because Mozart dedicated the pieces to him. In richness of invention, density of thought, length, and melodic appeal, these pieces set new standards for the medium. However, they are not easy pieces to play or to listen to, and the Juilliard Quartet's lean, emphatic approach works very well in clarifying the busy textures and maximizing the music's dramatic impact. And at budget price, this three-disc set belongs in every string-quartet lover's collection. – David Hurwitz
Founded by the late, great conductor Nikolaus Harnoncourt in 1953, Concentus Musicus Wien was one of the very first period-instrument orchestras, its recordings of baroque and classical masterworks setting benchmarks for their sheer energy and spirit. Today, the orchestra continues that powerful legacy under the baton of Austrian conductor Stefan Gottfried, whose ingenious programme here invites us to make musical links between Schubert and the earlier Haydn. On the surface, Schubert’s youthful Symphony No. 5, completed in 1816, owes a clear debt to Beethoven. But listen to Haydn’s sophisticated Symphony No. 99, the first of his second series of “London symphonies”, and you can hear that same charm and boisterous exuberance shining through in Schubert’s later work. The performances, captured live at Vienna’s famous Musikverein, are a pure joy.