In the early 1960s, when Rostropovich was just beginning his international career, he made a handful of recordings for Decca. This 2012 box – issued for what would have been his 85th birthday – brings those albums together. It includes all of the works Benjamin Britten specifically wrote for Rostropovich: the two suites, the sonata, and the Symphony for cello and orchestra, accompanied or conducted by the composer himself, making these definitive versions. There are also other sonatas they collaborated on, including Schubert's "Arpeggione" Sonata, which was apparently one of Rostropovich's favorites of all his recordings.
This is a rather exuberant collection of cello sonatas by Ferdinand Ries (1784-1838), a student of Beethoven and, along with Beethoven, an innovator of the cello/piano sonata form. Neither Mozart nor Haydn composed cello sonatas; for their more intimate music they preferred the trio or even the string quartet where, in either case, the cello's role always remains submerged. Ries gave the cello a greater and more melodic role (which he learned from Beethoven), and the genre is all the more enriched because of it. But you won't hear Beethoven in any of Ries' works.
In this series of 24, 45-minute lectures, Professor Robert Greenberg gives you a guided tour of the concerto from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century. The course closes with a look into the future at concerto composers who are now in mid-career and poised to carry this vibrant musical tradition well into the 21st century. These lectures are musically rich, including selections from nearly 100 concerti representing more than 60 composers—from Gabrieli to Gershwin, from Schumann to Shostakovich.
Over 40 years of collaboration between Eugene Ormandy and the Philadelphia Orchestra is among the most dazzling and longest connections in the history of classical music. In this unique edition, all mono recordings from the period from 1944 to 1958 appear on 120 CDs for the Columbia label. They also reflect an important section of record history in the changing cover design. Ormandy, a master of orchestral brilliance and timbres and also appreciated as an excellent companion, created the famous "Philadelphia Sound" with his orchestra.
The set includes several recordings which appear as international CD releases for the first time (symphonies by Haydn, Beethoven, Schubert) as well as first CD releases of works by Hendrik Andriessen and Stravinsky. Several other recordings have been unavailable for a number of years and are included here.