he 6

The Orpheum Foundation, which has been supporting young musicians for more than thirty years, has joined forces with Alpha Classics for a complete series of recordings devoted to Mozart's solo concertos. The best soloists of the young generation have been selected under the artistic direction of Howard Griffiths, a renowned Mozart conductor, who considers that playing his music is like "looking in a mirror: you can hear if everything is right, musicality, intonation, rhythm, phrasing"… These albums will immortalize this unforgiving challenge and reveal the great virtuosos of tomorrow. Performing concertos for violin, bassoon and piano, with Mozarteumorchester Salzburg, are Ziyu He, Theo Plath and Mélodie Zhao.

As part of the Royal Academy of Music Bicentenary Series, Hadewych van Gent explores innovative voices of the cello repertoire in a bold first album on Linn. The warm, intimate opening piece is Hadewych’s own take on Colla parte by Dutch cellist and composer Ernst Reijseger who continues to inspire Hadewych to this day. Pianist Yupeng He joins Hadewych for Rebecca Clarke’s passionate Sonata, which was originally composed for the viola; Hadewych is one of the first cellists to record the work. The album ends with Pianissimo, the second movement of Grāmata čellam by Pēteris Vasks which combines, as in Colla parte, singing with cello playing, thus creating an authentic form of expression and adding Hadewych’s own voice to the composer’s.

This album presents a glimpse of Paul von Klenau’s vast collection of music created during the Second World War when he produced works, almost obsessively, until his passing in 1946. The album includes world premiere recordings of Klenau’s Violin Concerto, Piano Concerto and Symphony No. 8, showcasing his mastery of both tonal and atonal sonorities, his distinctive introspective style, and his exceptional talent for venturing into uncharted musical realms.

As part of the Royal Academy of Music Bicentenary Series, Hadewych van Gent explores innovative voices of the cello repertoire in a bold first album on Linn. The warm, intimate opening piece is Hadewych’s own take on Colla parte by Dutch cellist and composer Ernst Reijseger who continues to inspire Hadewych to this day. Pianist Yupeng He joins Hadewych for Rebecca Clarke’s passionate Sonata, which was originally composed for the viola; Hadewych is one of the first cellists to record the work. The album ends with Pianissimo, the second movement of Grāmata čellam by Pēteris Vasks which combines, as in Colla parte, singing with cello playing, thus creating an authentic form of expression and adding Hadewych’s own voice to the composer’s.