he Pride And The Passion

Unconditionally Guaranteed, the universally derided album from Captain Beefheart and The Magic Band is commonly regarded as the nadir of the Captain’s career, the pariah among the pearls. From the cover depicting a weasel-eyed Beefheart clutching fistfuls of money to the lightweight and accessible tunes centring on themes of love, sex and happiness, people claim to hate this album with a burning passion. Even Beefheart wrote it off, insisting that buyers should take it back to the shop and get their money back, taking advantage of the guarantee…

Grammy winner, Dave Alvin, has been roaming the highways of American music for over a quarter century. During those decades he's busted speakers with roots rock kick-starters, The Blasters, as well as mined the depths of country, folk and blues with his solo projects. A mainstay during much of this journey has been Alvin's electrifying band The Guilty Men. Following the recent death of Dave's best friend and Guilty Men accordionist Chris Gaffney in early 2008, Alvin decided to move in an exciting new musical direction. In October 2008 he stepped onto the stage of the Hardly Strictly Bluegrass Festival in San Francisco with an all-star, all-female group. Since dubbed The Guilty Women, the group consists of Americana scene vets Cindy Cashdollar, Nina Gerber, Laurie Lewis, Sarah Brown, Amy Farris, Christy McWilson and Lisa Pankrantz. Special guests include Marcia Ball and Susie Thompson. The self-titled debut from this unique assemblage of players, led by Alvin, is a spirited collection of thoughtful yet dynamic tunes featuring world-class musicianship worthy of his now legendary pedigree.

Friedemann - Passion And Pride (1999) {Biber 76671 Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (qobuz.com) -> 279 Mb | MP3 @320 -> 111 Mb | Cover | 5% repair rar
© 1999 Biber Records / in-akustik | Biber 76671
Jazz / Contemporary Instrumental Music / Nu-Jazz / Guitar

Back in the 1970‘s Friedemann Witecka, who was born in Freiburg in south-western Germany, slung his guitar over his shoulder and set off for London, England in search of creative inspiration. The 1980‘s took him to Stuttgart where he made a name for himself as head of the Biber label and as a talent scout and producer, and above all with his own music: harmony-intensive and multicoloured instrumental works between the poles of folk, chamber music and jazz. With his impeccably beautiful sound sketches Friedemann swam persistently against the (pop) main stream and in doing so created original and high-quality accents on the German scene.