Head Rush

"X&Y" is the third studio album by the British alternative rock band Coldplay. The album, which features influences of electronic music, was produced by the band and British record producer Danton Supple. "X&Y" was released after a considerable amount of hype and was a significant commercial success, reaching the top spot of many charts worldwide, including the United Kingdom and United States, the latter being their first. With accumulated sales of 8.3 million units in 2005 alone, "X&Y" was the best-selling album released in 2005 worldwide. By 2011, the album had sold over 13 million copies worldwide.

"X&Y" is the third studio album by the British alternative rock band Coldplay. The album, which features influences of electronic music, was produced by the band and British record producer Danton Supple. "X&Y" was released after a considerable amount of hype and was a significant commercial success, reaching the top spot of many charts worldwide, including the United Kingdom and United States, the latter being their first. With accumulated sales of 8.3 million units in 2005 alone, "X&Y" was the best-selling album released in 2005 worldwide. By 2011, the album had sold over 13 million copies worldwide.

Arthurian tales have captured the imaginations of artists for centuries. In the late 12th-century, the floodgates of Medieval Arthurian literature burst open, and across Western Europe, works about the fictional deeds of individual knights of the Round Table were written. These were tales of mistaken identity, switched births, giants, ceremonial duels, and forbidden love, that portrayed the different knights as flawed upholders of what came to be known as the Chivalric Code.

Like Fear Factory and a host of others, Korn combines streamlined metal with ominous industrial touches and an undercurrent of hip-hop rhythm. „Follow The Leader“ is an urban nightmare, as unrelentingly dark as Onyx, Tool or Nine Inch Nails, and stylistically indebted to all three. The twin guitars of Munky and Head provide the requisite rock quotient, but throughout the album the band ventures beyond heavy rock cliches. The churning, jackhammer rhythms are leavened by subtle synthesizer work and occasionally the band falls into a bracing hip-hop beat, allowing them to show off the hard-edged syncopation that's at the core of their very visceral sound. Fostering the rap influence, Ice Cube makes a guest appearance on 'Children of the Korn,' and his hellbound, apocalyptic worldview sounds perfectly at home on „Follow The Leader“.

"The Follower" is the fifth studio album by Axel Willner under the alias The Field. Axel Willner is well-known for his mastery when it comes to the allusive layering of loops, but it was with his last album "Cupid's Head" that a newly-found, somewhat pressing snappishness started to replace the soft-hued sonics of his ambient-infused techno, imbued with a darker mood and stronger footing than before.

Like Fear Factory and a host of others, Korn combines streamlined metal with ominous industrial touches and an undercurrent of hip-hop rhythm. „Follow The Leader“ is an urban nightmare, as unrelentingly dark as Onyx, Tool or Nine Inch Nails, and stylistically indebted to all three. The twin guitars of Munky and Head provide the requisite rock quotient, but throughout the album the band ventures beyond heavy rock cliches. The churning, jackhammer rhythms are leavened by subtle synthesizer work and occasionally the band falls into a bracing hip-hop beat, allowing them to show off the hard-edged syncopation that's at the core of their very visceral sound. Fostering the rap influence, Ice Cube makes a guest appearance on 'Children of the Korn,' and his hellbound, apocalyptic worldview sounds perfectly at home on „Follow The Leader“.

“They are as their name suggests, an act who strike unexpectedly. And they are sensational…an enervating wall of noise given a focus by the incredible presence of singer, the Burkina Faso griot, Kaito Winse. The best kind of buzz.” — Louder Than War

While flowing from the same, molten core of melody, songwriting craft and towering self-belief, Noel Gallagher’s High Flying Birds’ new album, "Who Built The Moon?" alters the legendary singer-songwriter’s course following a bracing, two-year creative collaboration with renowned producer, DJ and composer, David Holmes. Bursting bubbles of perception, drilling dynamite into cracks between past and present and painting a daring portrait of the artist as a free man, Who Built The Moon? gathers vocalists and guest musicians from around the world to breathe life into 11 tracks finely poised between experimental and a jukebox of ageless influence. Meeting to work in Belfast and London, Gallagher and Holmes tuned into French psychedelic pop as much as classic electro, soul, rock, disco and dance on a cultured adventure into recorded sound.

"Flying in a Blue Dream" is Joe Satriani's third studio album and was originally released in October 1989. It was one of Satriani's most popular albums, peaking at #23 on the US Billboard 200 chart and staying on the chart for 39 weeks. The album was certified Gold in January 1990 and was nominated for Best Rock Instrumental Performance at the 1991 Grammy Awards, Satriani's third nomination. Four singles from the album charted on the Billboard Mainstream Rock chart: "Big Bad Moon" (#31); "One Big Rush" (#36); "Back to Shalla-Bal" (#17); and "I Believe" (#17). Remastered by John Cuniberti, analog mixes are 15ips Dolby SR, transferred and mastered to digital at 96/24.