Released seven months after his death in January 2020, Love Letter finds legendary saxophonist Jimmy Heath offering a warmly rendered collection of ballads that works as a romantic capstone to his illustrious career. Known for his lyrical sound and nuanced arrangements, most notably with his siblings Percy and Tootie in the Heath Brothers, and with trumpeters like Chet Baker, Blue Mitchell, and Kenny Dorham, Heath brings all of his experience to bear on Love Letter. Joining him are pianist Kenny Barron, guitarist Russell Malone, vibraphonist Monte Croft, bassist David Wong, and drummer Lewis Nash. Together they craft a deeply heartfelt and enveloping sound that evokes Heath's classic acoustic work of the '50s and '60s…
Bill Cosby produced Little Man Big Band to give journeyman composer and saxophonist Jimmy Heath a larger palette for his work. Most known for his work with small ensembles, especially the Heath Brothers with siblings Percy Heath on bass and Tootie Heath on drums, Jimmy Heath brings to life his compositions, including his greatest hits "CTA" and "Gingerbread Boy," with blaring, upper register trumpets, punchy trombone countermelodies and swirling saxophone ensembles. He is an able practitioner of big band orchestration, concentrating largely on using the band to frame soloists, most prominently himself.
The seven sides that make up the all-star outing Picture of Heath (1961) might be familiar to fans of co-leads Chet Baker (trumpet) or Art Pepper (alto saxophone), as Playboys (1956). Perhaps owing to trademark-related issues with the men's magazine of the same name, Picture of Heath became the moniker placed on the 1961 Pacific Jazz vinyl re-release, as well as the 1989 compact disc. Regardless of the designation on the label, the contents gather selections recorded on October 31, 1956 – the third encounter between Baker and Pepper. ~ AllMusic
In memoriam. R.I.P. You've Changed presents journeyman saxophonist Jimmy Heath in an unadorned setting that exhibits his talents in full splendor. Also a noted composer – three of the pieces here are his – this session showcases Heath's sound, which is as smoky and sweet as the best whiskey. Heath plays with fluid drive. The composer in him never takes a break as evidenced by the logical flow of his melodic ideas. The band is a pared down version of the Heath Brothers with regulars Tony Purrone and brother Tootie Heath on board joined by bassist Ben Brown. Purrone's smooth, bluesy fretwork provides just the right foil for the leader.