Impressive collection from the Wagram label, which compiles in 4-CD packs the best of the most commercial music styles imaginable, in this case in the Spirit of Electro Swing.
Caravan Palace, Mr. Scruff, Tape Five, Club Des Belugas, Lazlo, In-Grid, Swing Republic and many more.
The 2011 box set rounds up Blondie's three latter-day comeback albums: No Exit, Livid, and The Curse of Blondie. This may not be Blondie's prime, but they had a strong comeback, and this is a good, wallet-friendly way to hear it all at once…
Sam Phillips didn't record anybody else the way he recorded Jerry Lee Lewis. With other artists, he pushed and prodded, taking his time to discover the qualities that made them uniquely human, but with Jerry Lee, he just turned the tape on and let the Killer rip. There was no need to sculpt because Lewis arrived at Sun Studios fully formed, ready to lean back and play anything that crossed his mind. Over the course of seven years, that's more or less how things were run at Sun: Lewis would sit at the piano and play, singing songs that were brought to him and songs that crossed his mind, and Sam never stopped rolling the tape.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.