Having been relegated to a moral space of exclusion and fear in the Middle Ages, madness subsequently became a major social phenomenon. Brought under control and personified as 'Folly' in the seventeenth and eighteenth centuries, it provided scope for social and moral criticism, leading composers and librettists to give it a prominent place on the operatic stage. Here Stphanie d'Oustrac and the Amarillis ensemble present its multiple facets, from seduction to passionate love, from despair to joy, revealing the underlying truths of humanity in the Baroque era.
Mezzo-soprano singer Héloïse Mas is one of a long line of musicians who have won prizes in Belgium’s prestigious Queen Elisabeth Competition while receiving acclaim from the jury, critics and audiences alike. Héloïse Mas stood out: as soon as she appears on stage, she inhabits her role entirely, her golden voice is able to combine tragedy with humour. It is a real privilege to hear such a talented singer at the start of her career; she was in her element, playing her roles without affectation, owning the stage and filling these vast architectural spaces with her powerful, rounded voice, with its irresistibly warm tone and crystal-clear diction that is as seductive in French as it is in Italian or German. It comes as no surprise that the competition jury was just as impressed as the audience!
The music of Saint-Preux is universal and timeless, combining classical,popular and contemporary musical trends, with worldsales of more than thirty millions records.