Henry I King of England

Steeleye Span are amongst the biggest and most commercially successful folk rock bands. Their career, spanning over 50 years, has seen them achieve 4 Top 40 albums and 2 Top 20 singles as well as countless sold out live shows. Through an everchanging line up, their popularity has continued to this day. This collection brings together their recordings over an 11 year tenure with Chrysalis Records covering the years 1972-1983. Housed in a clamshell box with a 56 page perfect bound book, there are 145 tracks, (46 unreleased) over 12 CDs include a number of unreleased studio tracks including an expanded version of New York Girls (featuring Peter Sellers), a studio take of The Devil's Dream, 3 previously unavailable additional live tracks from the Live At Last" album, an Australian only live album, as well as 2 completely new live concerts from The Rainbow Theatre in London from 1974 and the Boston Berklee Performance Centre from 1976. The Rainbow show in particular has been the subject of much speculation with a small selection of tracks appearing on various low quality bootlegs over the years. The band are undertaking a (delayed) 50 year celebratory UK tour with 17 dates in May and a further 7 dates in October.

If you want a prime collection of Copland's more accessible works, this is it. Yes, it's true that Bernstein's recordings of individual pieces are often bolder and livelier; but this set offers the composer's own authoritative view of his work, and for that reason alone it is priceless. In addition, it includes virtually all the orchestral pieces he composed during his "populist phase," from El Salon Mexico (1936) to the Clarinet Concerto (1948). You won't find some of these lesser-known gems, such as An Outdoor Overture (1938) or Letter from Home (1944, written–like Rhapsody in Blue–for Paul Whiteman), on typical single-disc Copland compilations. I'd even go so far as to claim this as one of the four indispensable compilations of American instrumental music from the first half of the twentieth century (the others on my list–in case anyone cares–are Joshua Rifkin playing Scott Joplin, Oscar Levant playing Gershwin, and the Blanton-Webster band recordings of Duke Ellington).

Among England's famed university choirs, the King's College Choir of Cambridge has both one of the deepest histories and some of the most visible present-day activities. Its annual broadcasts of the Festival of Nine Lessons and Carols, begun in 1918, have been an integral part of Christmas celebrations in many countries. The Choir of King's College was founded in 1441 by England's King Henry VI as the resident ensemble of King's College Chapel, a status it continues to hold today. The choir shrank during some of the tumultuous events of the 15th through the 17th centuries but continued to operate.

Guide Allan Quatermain helps a young lady (Beth) find her lost husband somewhere in Africa. It's a spectacular adventure story with romance, because while they fight with wild animals and cannibals, they fall in love. Will they find the lost husband and finish the nice connection?

Among England's famed university choirs, the King's College Choir of Cambridge has both one of the deepest histories and some of the most visible present-day activities. Its annual broadcasts of the Festival of Nine Lessons and Carols, begun in 1918, have been an integral part of Christmas celebrations in many countries. The Choir of King's College was founded in 1441 by England's King Henry VI as the resident ensemble of King's College Chapel, a status it continues to hold today. The choir shrank during some of the tumultuous events of the 15th through the 17th centuries but continued to operate.