Decca's five-CD set Ultimate Beethoven is a respectable beginner's introduction to the music of Ludwig van Beethoven because it presents his greatest masterworks in complete performances by major artists. Where some other collections present only short, thematic excerpts or single movements taken from larger works, obliging the listener to put in additional effort to hear the whole compositions, this set leaves nothing incomplete. Central to Beethoven's output are his symphonies, and the Symphony No. 5 in C minor; the Symphony No. 6 in F major, "Pastoral"; and the Symphony No. 9 in D minor, "Choral" have long been regarded as essential works.
Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the Triple Concerto, was composed in 1803 and published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument, also being the only concerto he wrote for cello. A typical performance takes approximately thirty-seven minutes.
The first edition to comprise all of Helmut Walcha's recordings on Archiv Produktion, Deutsche Grammophon and Philips. Commemorating the 30th anniversary of Walcha's passing (11 August), it includes both the stereo (1956-1971) and the mono cycles (1947-1952) of Bach's complete works for organ; harpsichord recordings consisting of the Well-Tempered Clavier and the Violin Sonatas BWV 1014-1019 with Henryk Szeryng, the latter originally issued on Philips; plus other organ works from the early North German repertoire, including Bruhns, Scheidt, Buxtehude, and Sweelinck. The mastermind of Walcha's recordings was legendary producer Erich Thienhaus, a prolific recording producer and progenitor of the Tonmeister profession itself.
After his acclaimed recording of Mendelssohn’s Violin Concerto, for Onyx Classics, and current Gramophone CD of the Month [on Chandos], James Ehnes once again collaborates with Vladimir Ashkenazy for a Tchaikovsky programme, recorded live in Sydney. This CD contains Tchaikovsky’s complete works for violin and orchestra, plus a delightful bonus of the 'Souvenir d’un lieu cher' accompanied by Ashkenazy on piano.
Celebrating Wilhelm Kempff's incredible legacy on Deutsche Grammophon with over 92 hours of stunning performances, curated in four chapters: Concerto Recordings, Chamber Music, Solo Repertoire, Shellac Recordings. 6 CDs with rare shellac recordings - first release on DG. Includes recordings with Wolfgang Schneiderhan, Yehudi Menuhin, Pierre Fournier, Henryk Szeryng, Pablo Casals, Ferdinand Leitner, Bernhard Klee, Rafael Kubelik, Paul van Kempen, Karl M?nchinger, Josef Krips, and more.
Deutsche Grammophon proudly presents 42 of its greatest ever recordings for violin, from its matchless catalogue of the finest violinists of the last 75 years. Fritz Kreisler began it all for the company by recording a series of his own compositions and arrangements. 31 violinists grace 111 The Violin, with recordings from the early 1900s to 2012.
In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”