Herb

The other Herb Alpert bargain bin classic, Keep Your Eye on Me is the trumpet legend’s ’80s comeback and essentially a Jimmy Jam & Terry Lewis record. Feeling the need to revitalize his outdated trumpet jazz, Alpert made his way to Minneapolis to work with Jam & Lewis, the songwriting & production duo and ex-The Time members who produced Janet Jackson’s chart-topping 1986 album Control. A3 “Diamonds” and B3 “Making Love In The Rain” are the big hits of the bunch and both feature Janet Jackson on lead vocals. The music video for “Diamonds” hilariously features a DJ taking a bite out of Alpert’s last record and saying “doesn’t taste like a hit to me…” B1 “Pillow” is another highlight and is a slower tempo’d late-night jam featuring Alpert and his wife Lani Hall on vocals.

Since his 2009 return to regular recording after a ten-year hiatus, trumpeter Herb Alpert has stayed busy releasing albums, some with his wife, vocalist Lani Hall, and others, like 2015's Come Fly with Me, on his own. 80 years old at the time of this release, Alpert has gone from instrumental pop icon of the '60s and '70s to journeyman performer with decades of experience to draw from. Working with a bevy of longtime collaborators including his nephew, programmer Randy "Badazz" Alpert, bassist/guitarist/producer Hussain Jiffry, keyboardist/producer Bill Cantos, keyboardist/guitarist Jeff Lorber, Alpert has crafted a breezy, low-key collection of originals and cover tunes, that nonetheless retains all of the melodic, jazz-inflected style of his classic recordings…

Herb Ellis's first record for the Dot label was also his last, and his last solo project (apart from a Columbia release around the same time) for the next eight years, during which time he mostly played sessions on other people's albums. With tenor saxman Teddy Edwards, organist Ron Feuer, bassist Monty Budwig, and drummer Stan Levey, he has put together a tight pop-jazz ensemble, in which Ellis' guitar is surprisingly understated in its prominence. This may actually disappoint some fans, though the playing by Edwards and Feuer is certainly pleasing enough, even if Ellis does most of the really interesting improvising, most notably on Ray Brown's "AM Blues." "Tennessee Waltz" is also well worth hearing, for Ellis' and Edwards' playing. And the group has fun with "Besame Mucho" as well.

This Koch CD reissues an interesting and very successful matchup between guitarist Herb Ellis and the great swing violinist Stuff Smith. Pianist Lou Levy and Bob Enevoldsen (doubling on his cool-toned tenor and valve trombone) contribute some solos and drummer Shelly Manne adds fine support. The reissue (which has three alternate takes in addition to the original six-song program) features plenty of cooking and strong interplay between Stuff and Ellis on some blues, the ancient standard "How Come You Do Me Like You Do" (which has one of the violinist's two personable vocals) and Smith's two originals "Hillcrest" and "Skip It." This is one of Ellis' personal favorite records and one of the best recordings from Stuff Smith's later years.