Hey Gyp

Donovan's second album found the Scottish folkie in possession of his own voice, a style of earnest, occasionally mystical musings indebted neither to Woody Guthrie nor Bob Dylan. True, Fairytale's highlights – "Sunny Goodge Street," "Jersey Thursday," and "The Summer Day Reflection Song" – use a sense of impressionism pioneered by Dylan, but Donovan flipped Dylan's weariness on its head…

Donovan's folky 1965 recordings for Pye Records (they were released in the U.S. by Hickory Records) bear only a superficial resemblance to the more hip pop material he began issuing a year later when he switched to Epic Records. Some of his famous bejeweled sensibility is already apparent in these tracks, but for the most part this is Donovan as a straight folksinger, and he isn't bad at it at all…

Previously I talked about to the country-folk era from Donovan (an era that I revere), and which are 3 LPs exactly: "What's Bin Did And What's Bin Hid" (1965).

A genre-spanning 2CD mix of hit singles, slow burners and lost gems from soul, funk, psych, garage and rock’n’roll. The 45s that defined 1965 and crystallised author Jon Savage’s memories of the year. 1965 was the year of Dylan, folk-rock and protest, and the year when the post-beat bohemian subculture took over from traditional showbiz as the principal youth culture. Suits and group uniforms were out: denim, suede and long hair in. It was also a vintage Motown year. In the first week of 1965, the Supremes were at #2 US and three other Motown records were in the Billboard Top 40. Two weeks later the Supremes reached #1, the first of six Motown achieved that year – and, in March, EMI UK launched the Tamla Motown label with hits by the Supremes and Martha & the Vandellas. Harder core soul artists such as Wilson Pickett and James Brown also had US pop hits and, thanks to the pirate radio stations and inspired promotion by Decca PR Tony Hall, Pickett narrowly missed the UK Top 10.

Various Artists - The Rubble Collection, Volumes 01-10 (2007) {10 CD Box Set - Fallout FALLBOX001 rec 1960s-1970s}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.20 Gb | MP3 @320 -> 1.29 Gb
Full Artwork @ 300 dpi (png) -> 535 Mb | 5% repair rar
© 2007 Fallout | FALLBOX001
Rock / Psychedelic Rock / Acid Rock / Freakbeat / Garage Rock / Mod

Originally appearing on LP from the Bam Caruso label in the 1980s, and then on CD on the Past & Present imprint in 2003, these first ten volumes (boxed) in the Rubble Collection were conceived and collected by Phil Smee. For fans of the Nuggets series, both the two American volumes and the British Nuggets, you won't find a lot of overlap. The Nuggets comps were and are for people who want what was at least the stuff of legend, if not readily available. The collection here digs deep and are, for the most part, flawless in what they present. This set, and its companion volumes 11-20 (a separate box), are very different creatures. For starters, they dig a lot deeper into the hopelessly obscure 45s and tapes of Brit psychedelia, freakbeat, Mod, and pop.