hi End

This is a photography tutorial for Pro Club Interactive Education Program, the workshop #71
In this High-end photography Retouching and photography workshop, you will learn how to shoot difficult and unusual objects like a bar of chocolate and create stunning advertising compositions!

Marantz Hi-End Audiophile Test Demo SACD (First Edition) is a 2002 hybrid SACD. This was made for an audio convention and features a mixture of jazz and classical artists. This was released by STS Digital and focuses on just the CD audio, not SACD.

End Of The World Party (just in case) features producer John King of the Dust Brothers, best known for producing classics like the Beastie Boys’ Paul’s Boutique and Beck’s Odelay. MMW and King have created a brilliant and graceful album packed with melody, soundscapes and beats that defy gravity. These are theme songs for the next generation soundtracks that may accompany the end of the world in a more positive setting.

Iowa hard rock heavyweights SAUL — brothers Blake Bedsaul [lead vocals] and Zach Bedsaul [lead guitar, backup vocals], William McIlravy [bass, backup vocals], and Myles Clayborne [drums] — have announced their new album THIS IS IT… THE END OF EVERYTHING.

After nearly over a decade and four albums, Beta Radio’s Ben Mabry and Brent Holloman decided to see other people. The duo’s new album Waiting for the End to Come marks the first time they’ve worked with other songwriters. During a writing retreat in Nashville the two friends shared a creative experience that bordered on the spiritual. If 2021’s Year of Love is about searching for language, answers and love – Waiting for the End to Come is about finding it. The songs are grounded in a physicality that’s gorgeously set against the sonic wall of acoustic guitars, strings, and the harmonies for which Beta Radio has become so well known.Over the years, American Songwriter has claimed the band is “evoking serenity” and “emit an incandescent optimism.” The praise is both heady and ethereal, much like the band’s previous albums, many of which are dominated by gorgeous, yet restless musical energy. But on this album, that energy is underpinned and supported by the broad shoulders of narrative-driven songwriting that feels urgent, tactile, and resonant. Every song on Waiting for the End to Come feels like a radio song, no small feat for a band with such an expansive sound, a band that routinely reaches emotional heights while soaring on mystical themes.On Waiting for the End to Come, Beta Radio is not on the verge of something new. They are in the midst of it, and it is wonderful to be there with them.

Vaneese (Van-EESE) Thomas is not only blessed with a deeply soulful singing style, but she also has the unerring ability to turn her thoughts and feelings into emotional statements expressed in song – in this case, in her latest album, very appropriately titled Stories In Blue. Thomas has created a musical odyssey on her ninth album that tracks the essence of her music. It’s also a tribute to her multi-talented approach: Thomas’s name is on every song, she co-produced the session, plays piano on the pensive “Wandering,” and, of course, graces us with her marvelous voice. The seven-song set of original stories in blue is filled with powerful music and gorgeous vocals, all of which reflect a lyrical journey from the origins of the blues to the final bars of a joyful gospel song. The tracks also serve as a sampler of the multiple musical talents of Thomas – she’s very much at home working in styles from blues to R&B to jazz to gospel.